TV Wedding – Outlander

In this post about the ongoing series about TV weddings, I will discuss the epic wedding of Jamie and Claire Fraser in the popular Starz television series.  I will include a description of Claire’s stunning wedding dress and Jamie’s tartan kilt as well as the sentimental wedding ring and the Scottish pearl necklace that Jamie gave to Claire.  (I know I’m about six years too late for this trend but I have recently enjoyed binge watching all the episodes from the past seasons!)  

Special Note: The Outlander wedding is the perfect inspiration for a destination wedding to Scotland or for a bridal couple that want to incorporate their Scottish heritage into the wedding.

The Outlander Series

The Outlander series on the Starz cable television network premiered in August 2014.  The series is based on the historical fantasy novels by Diana Gabaldon.  The first book was published in 1991 and to date eight of the planned ten books in the series have been published.

The first season of Outlander centers on the main character Claire Beauchamp Randall (played by Caitriona Balfe) who is a former World War II nurse married to Frank Randall (played by Tobias Menzies).  The couple is staying in Inverness Scotland and through extraordinary circumstances at Craigh Na Dun, the standing stones, Claire time travels to the 18th century where she meets Jamie Fraser (played by Sam Heughan) who is a handsome Highlander. 

As she is transported from 1945 to 1743, a bewildered Claire arrives in the Highlands and she is taken into Castle Leoch by the fictional Clan MacKenzie.  The Highlanders are suspicious of this mysterious women but Claire is able to gain their trust by using her medical training helping the people living in the area.  Meanwhile Jamie and Claire have an unfortunate encounter with the evil Captain “Black Jack” Randall (played by Tobias Menzies in a dual role) and viewers will learn this character is a distant relative of Frank. 

Although there is an attraction growing between Jaime and Claire, in an unusual twist of fate, he is forced into marrying her for protection from Captain Jack.  Surprisingly Claire enters into the marriage despite the fact that back in 1945 she seems happily married to Frank; as the series progresses the viewers are able to see how he is coping with the sudden disappearance of his wife.    

The Wedding of Jamie and Claire Frazer

The wedding of Jamie and Claire takes place in season one episode seven which first aired in September 2014.  After the decision is made that Jamie will marry Claire for her protection, the arrangements for the wedding are hastily made.  Jaime had three conditions if the marriage was to proceed; one was that the ceremony needed to be performed by a priest in the local church.  The second condition is that Claire should receive a special ring that Jamie commissioned from the local blacksmith.  The third condition is that Claire is to be married properly and he sends someone out to find a very special dress. 

The small church is beautifully lit with candles creating a very romantic setting for the wedding ceremony and the couple exchanges their vows before the priest and a small congregation.  Jamie places the specially made ring onto Claire’s right hand, in the book Claire is still wearing Frank’s ring on her left hand but this is changed in the television series.  According to ancient custom of handfasting, the wrists of Jamie and Claire are slashed to bleed tied together with a white cloth. 

Special Note: all the photos shown in this post are from the Outlander series on Starz

Claire’s Wedding Dress

As Claire approaches the church where the wedding ceremony is to take place, she is wearing a long cape and then just before entering she removes it to reveal a stunning wedding dress.  The dress is rather grand in style and might look out of place with all the men and women wearing tartan and homespun dresses.  Jamie had send someone to procure a special dress for Claire to wear on her wedding day and the viewers find out that it was previously given to a woman of questionable character as payment of services rendered (if you get my meaning!).

The beautiful wedding dress created by Terry Dresbach and the Outlander costume department took over 3,000 hours to complete and there are so many gorgeous details.  The style is reminiscent of a robe de cour and the full skirted dress is made of silver metallic linen with sheer silk smocked sleeves and features an off the shoulder neckline, a boned bodice with a laced back. 

The silk stomacher and underskirt are made with mica shavings sewn between two layers of fabric and embellished with silver plate metal hand embroidered on netting with a lovely design of acorn branches and falling leaves.

Special care was also taken by the Outlander costume department to create the underpinnings which were shown in scenes of Claire and Jamie’s wedding night.  The items were a simple sheer silk shift, a beautiful laced front strapless stay beautifully embroidered in a floral motif, there is also a laced back, and finally a petticoat with a lovely quilted band at the bottom.       

Special Note:  There has been some controversy voiced by the fans as to whether Claire’s wedding dress was historically accurate.  The opulent style of the wedding dress seems a little out of place given the Scottish Highland location and would be more appropriate befitting a royal palace or a grand ball room.  The other issue most frequently commented on by the fans is the low cut neckline which some people think is a little immodest and almost inappropriate to wear in a church setting.  My understanding is that there originally was a piece of fabric covering some of the neckline but it was ruined during the reshoots required for filming the episode and was not replaced.  Once again, this dress with the extremely low neckline is more in the style of an 18th century European court dress. 

Jamie’s Fraser kilt

Although Jaime is living with the fictional Clan MacKenzie, for his wedding day Jaime is wearing a Fraser kilt to honor his heritage.  A Scottish tartan was meant to represent a clan and was originally made with alternating colored wool threads woven into a distinctive vertically and horizontal pattern of squares and lines.   Historically tartans in the 18th century were woven in more muted colors from natural dyes made with plants or minerals while in modern day Scotland the tartans are more brightly colored.   

The main tartan pattern in Outlander is made of brown and blue-grey but there are several variations used throughout the series.  The fictional Fraser tartan incorporated thin yellow and red threads into the design and this type of tartan pattern was worn by Jaime on his wedding day.  There is an additional tartan pattern with light blue threads woven into the design that is worn by the fictional Mackenzie clan at Castle Leoch.     

  

Special Note:  Another sentimental item which is worn by Jaime on his wedding day is his mother’s brooch which he wears on his left shoulder. Not only does the brooch serve a function to hold the tartan in place but it also represents the clan to which a person belongs.   

The Wedding Ring

One of the conditions Jaime made before his marriage to Claire was that she would receive a special ring that Jamie commissioned from the local blacksmith.  In a very sentimental gesture Jamie had the ring created from a key to his home of Lallybroch, the key is not melted down but forged with “the blade in the bow”.

Special Note:  In a very poignant scene at the end of episode seven in season one, Claire dramatically realizes the fact that she had left behind her husband Frank in the 20th century.  Just before entering the church to marry Jamie she had removed her wedding ring from Frank and places it in the bodice of her dress.  The morning after the wedding to Jamie she finds the ring as it drops out of her wedding dress and it rolls across the floor almost falling through the boards.  Perhaps realizing what she has lost in her previous life, she places the ring back on her left hand while wearing the ring from Jamie on her right hand.  She looks at her two hands in despair trying to come to terms with the fact that she has two husbands living in different centuries and as a tribute Frank she will continues to wear both rings.   

But, there is a sad footnote to Claire’s wedding ring and later in the series it is stolen from her by a sadistic pirate (for some reason he does not take the gold wedding ring from Frank).  Claire is truly distraught about losing Jamie’s ring and many years later when they are living in America Jamie has one of his mother’s candlesticks melted down to make a replacement ring for her.  Eventually under very dramatic circumstances the original ring given to Claire on her wedding day is ultimately returned to her.      

The Pearl Necklace

In the beginning scenes of episode seven in season one of Outlander; Claire says, “Things you cherish and hold dear are like pearls on a string.  Cut the knot and they scatter across the floor … never to be found again.  So you move on … or at least you try”.

On their wedding night, Jamie gives Claire a gift of his mother’s Scotch pearls.  Jamie tells the story that his mother, Ellen MacKenzie, received the necklace on the occasion of her wedding to Brian Fraser.  With this sweet and sentimental gesture Claire comes to realize that Jamie is truly a gentle person and her feelings of love for him start to grow stronger.   

Scotch pearls are found in freshwater mussels in the rivers of Scotland.  Historically this type of irregularly shaped pearls were admired for their luster and collected by royalty, in fact the Crown Jewels of Scotland seen on display at Edinburgh Castle are set with Scotch pearls.

Special Note:  Later in the series when Claire returns to the 20th century, Frank is deeply jealous of her life in the past and destroys everything associated with Jamie and her time in the 18th century.  Because of this situation Claire has given the Scotch pearl necklace to Mrs. Graham for safekeeping, Mrs. Graham is a trusted friend who believes her story of time travel.  Later in the series the necklace will eventually be returned to Claire by Mrs. Graham’s granddaughter.  In turn, the Scotch pearl necklace will be given to Claire and Jamie’s daughter on her wedding day.

So, in closing this post, I hope you enjoyed some of the details from the wedding of Jamie and Claire Fraser from the Outlander series. Please check back for a future post about another Outlander wedding of their daughter, Brianna to Roger MacKenzie Wakefield.

The Legend of Cupid


Cupid in a Tree painting by Jean-Jacque-François le Barbier

In honor of the romantic holiday of Valentine’s Day celebrated on the February 14th, this post will be about the legend and the history of Cupid.  I will also give some unique ideas and suggestions to incorporate Cupid into a wedding ceremony and reception.

The legend originated centuries ago as the story of an ancient Greek god named Eros who was portrayed as a winged and slender young man.  In the ancient Roman mythology he was a god named Cupid (from the Latin word cupido) and he was the son of Mars (the god war) and Venus (the goddess of love).  Cupid had the appearance of a chubby little boy and his source of power was his bow and arrow.  When Cupid shot his arrow at an unsuspecting person they would suddenly be overcome with feelings of immense love and desire. 

As legend has it, cupid carries a quiver of arrows filled with two kinds of arrows.  The first is an arrow with a golden tip and a person struck with this kind of arrow is filled with desire and love.  The second arrow has a lead tip and a person struck by this kind of arrow feels not quiet hatred but a strong desire … to flee!

Cupid has been depicted by master painters in many great works of art throughout the past centuries; perhaps one of the most famous is the La Primavera painting by the Italian Renaissance artist Botticelli.  The painting is also known as the Allegory of Spring and depicts a blindfolded Cupid shooting his arrows above the central figure of Venus.   There as several mythical interpretations of the painting which shows Zephyrus to the right who is chasing Flora while on the left the three Graces dance with Mercury.

La Primavera (Allegory of Spring) by Botticelli

Another artistic interpretation of cupid was the Sleeping Cupid sculpture created in 1496 by the Renaissance artist Michelangelo.  At the time he was a relatively unknown artist and with this sculpture he receive commissions from patrons in Rome, ultimately this lead to perhaps his most famous and important work of art when he painted the ceiling of the Sistine Chapel which took approximately four years (1508-1512) to complete for Pope Julius II.

Sleeping Cupid sculpture by Michelangelo

In regards to the Sleeping Cupid sculpture, the piece eventually ended up in the Palace of Whitehall in London, England but unfortunately the sculpture was lost in a fire in 1698.  (Special Historical Note: Due to the efforts of King William III the Banqueting House, which was part of the Palace of Whitehall, was saved and still stands today)

When Valentine’s Day became a popular holiday in England during the 18th century, given the legend of Cupid and his association with love, his imagery was used as a common theme for Victorian greeting cards.  With the help of the Industrial Revolution and the new printing press technology, the introduction of relatively inexpensive postage stamps and then the Hallmark Greeting Card Company starting to mass produce Valentine’s Day cards in 1916 the holiday became very popular in the United States.  (For more information on the custom of Valentine’s Day greeting cards and in particular Victorian Valentines, please click on the link)   

A Victorian Valentine’s Day greeting card

Cupid and cupid’s arrow ideas and suggestions for bridal showers and weddings

In this next section I will show several different ideas and suggestions for incorporating cupid and hearts into a bridal shower and wedding decorations, I have also included some gift ideas for the bride, groom and the bridal party.

The image of cupid can found on numerous types of paper products, cupid bridal shower invitations would be especially charming.  For a more subtle style, sealing wax stamps used on the back of the wedding invitations would look wonderful idea as shown in the photo below.

cupid sealing wax stamp – Amazon.com

Cherub candlesticks/candleabras would be a great idea to be used at a bridal shower or a wedding, these could get a little expensive to purchase but you might be able to find the item at a good price at an antique store or on the internet website like EBay. The example shown below could be used on a buffet table at the bridal shower, the ceremony or wedding sites or on the bridal party table or the cake table at the reception. 

antique cupid candelabras

An idea that would coordinate beautifully with the candelabras would be place cards that resemble cupid’s arrow; this would be an easy and relatively inexpensive craft to replicate for a bridal shower or a wedding reception.   

a cupid’s arrow place card idea – Coco & Blush

In keeping with the cupid arrow theme, below is a photo of a unique escort card display using a target with arrows showing the guest name and their table number. 

target and arrow idea for escort cards

Chair decorations at wedding reception have become very popular over the last few years and the two examples shown below are specifically for the chairs of the bride and groom and both ideas feature cupid’s arrows.

shown above are two ideas for chair decorations for the bridal couple

The next ideas are for food items, which include cake and cupcake examples that could be used for either a bridal shower or wedding reception. 

a lovely cupid wedding cake idea

a wedding cake idea from the Knot.com

idea for a cupid’s arrow cake topper (would coordinate nicely with the chair decorations)

cupcakes with cupid’s arrows that could be served at a bridal shower or wedding reception

Shown below are two ideas for the younger members of the bridal party, the first is a cute idea for a flower girl to wear cupid’s wings and the second is a lovey example of a cupid ring pillow.

flower girl wearing cupid wings

cupid ring pillow – Amazon.com

Famous 1920s Brides

In this post I will be taking a look back a hundred years ago to discuss four famous brides of the 1920s ranging from a Hollywood film star to a literary muse that married a famous American author to an American beauty that married an English aristocrat and lastly an American heiress who later abandoned her family to live in Europe. 

But before I start let’s briefly discuss what prompted the dramatic changes to women fashion styles during that decade.  It was just after World War I had ended and women were undergoing many changes as they moved out of their domestic roles to become factory workers, sales clerks in department stores and secretaries in various corporate businesses.  This sense of financial freedom and independence during this time resulted in many new fashion trends as the modest and restrictive clothing of the Victorian and Edwardian Era was evolving into more revealing and looser fitting clothing of the 1920s.

Starting with the undergarments, women in the 1900s wore uncomfortable tight corsets, bulky knickers, thick wool stockings and several layers of petticoats underneath their long dresses.  By the end of the 1920s women wore less undergarments made of lighter satin or silk and these brassiere, panties and slips were worn underneath dresses that had much shorter hemlines that reached scandalously to a lady’s mid-calf! 

Ready-made fashions became more affordable to the middle class working women and for the first time they were able to purchase the latest stylish dresses and accessories.  The 1920s became associated with the “flapper girl” that wore her hair short in a bob cut to the chin and she wore tailored dresses of tweed during the day and for the evening she wore beaded dresses made of silk and satin. 

To illustrate these fashion changes a perfect example is the costumes of the Downton Abbey television series.  As the Crawley sisters moved from 1912 pre-World War England as the series began to 1926 in the middle of the Roaring Twenties when the series ended their clothing reflects these new fashion trends.  If you are interested in more detailed information regarding the Downton Abbey Fashions, please click on the links to my other blog theenchantedmanor.com and Part One features a general discussion on the costumes worn during the six seasons of the series and Part Two details the wedding fashions of the Crawley sisters and a few of the other supporting characters.

Mary Pickford

Mary Pickford (April 8, 1892 – May 29, 1979) was a Canadian-born American actress; her birth name was Gladys Louise Smith.  As a young woman she began her film career in silent movies playing numerous ingénue roles and she became known as “America’s Sweetheart”.  She was the co-founder of the United Artists film studio in 1919 with D.W. Griffith, Charlie Chaplin and Douglas Fairbanks.  Later she became one of the first members of the Academy Motion Picture Arts and Sciences when it was founded in 1927.

Mary Pickford – “the girl in curls”

Mary Pickford signing the United Artists Studios contract
(she is seated with Douglas Fairbanks on the far left)


Pickford was married three times, her first husband was Irish-born film actor Owen Moore who she married in 1911 and her third husband was band leader Buddy Rogers who she married in 1937 and they adopted a boy and a girl. 

Perhaps her most famous marriage was to her second husband the swashbuckling hero actor Douglas Fairbanks.  The couple first met in 1917 in New York while they were both married to other people and within a year their friendship soon turned into a romantic affair, Pickford and Fairbanks eventually divorced their respective spouses. 

On March 28, 1920 Pickford and Fairbanks were married secretly at the home a local Nevada Baptist pastor; the bride wore a dress of white tulle over white satin and trimmed with green flowers at the waist.  The couple later had a delayed wedding reception at their new home in Beverly Hills.  The house became known as “Pickfair” (a combination of their last names) and was purchased by Fairbanks as a wedding present for Pickford; it had 22 rooms and boasted the first in-ground swimming pool in the area!   

Newspaper article announcing the wedding of Mary Pickford and Douglas Fairbanks

Mary Pickford and Douglas Fairbanks on their honey in Europe

Mary Pickford and Douglas Fairbanks at their home – Pickfair

Sadly, as the silent movie careers of Pickford and Fairbanks began to fade with the new “talkie” films, the marriage came to an end and the couple divorced in 1936.    

Zelda Sayre

Zelda Sayre (July 24, 1900 – March 10, 1948) was born in Montgomery, Alabama.  Zelda met F. Scott Fitzgerald in 1918 at a country club event when he was in the army and stationed at the nearby Camp Sheridan.  Fitzgerald became enamored with the vivacious and fun-loving Zelda and would visit her often during his time there and then exchanging letters when to be stationed at Camp Mills near Long Island, NY.  He shared with her his dreams of becoming a great author and even included a character that very much resembled Zelda in the first book that he was writing, “This Side of Paradise”.  In another one of his novels, “The Great Gatsby”, Fitzgerald fictionalized his feelings of his first meeting with Zelda in describing when the character of Jay Gatsby meets Daisy Buchanan but changing the place of their meeting instead to a train.

Zelda Sayre and F. Scott Fitzgerald

When Fitzgerald was discharged from the military in 1919 he moved to New York City to establish himself as a writer.  In an unusual proposal, Fitzgerald sent Zelda his mother’s ring in a letter and they were officially engaged.  By early 1920 Fitzgerald had completed his first novel and it was soon published, shortly thereafter Zelda arrived in New York for the wedding.  The couple was married on April 3, 1920 in a very small ceremony at St. Patrick’s Cathedral; they spent their honeymoon at the Biltmore in New York City.      

Newspaper article announcing the wedding of Zelda Sayre and F. Scott Fitzgerald

Fitzgerald and Zelda had one daughter, Frances Scott “Scottie”, who was born on October 26, 1921 in St. Paul, Minnesota; the couple had briefly moved to Fitzgerald’s former hometown so that Zelda could give birth to their baby girl there.

The couple returned to New York City in the midst of the “Roaring Twenties” which was the decade after World War I when there was economic prosperity and social values were less restrictive while cultural changes came about as new nightclubs opened within the cities.  It was also the “Jazz Age” which is a term that has been credited to Fitzgerald who had written about this decadent time in his 1922 “Tales of the Jazz Age” book.  Zelda had become Fitzgerald’s literary muse and was the iconic “flapper ”, a definition given to women of the 1920s that wore short skirts, bobbed hair, listened to jazz music and flaunted their unacceptable behavior by wearing excessive make-up, drinking alcohol and smoking cigarettes and flouting their inappropriate sex lives.

F. Scott and Zelda Fitzgerald

The couple later spent part of their time living on the French Riviera and socializing with friends such as Pablo Picasso and Ernest Hemingway.  Unfortunately, despite the fact that they were parents of a young child, the couple’s lifestyle was very turbulent with excessive drinking, numerous infidelities and almost constant quarreling.  Zelda was perhaps the more noticeably affected with her outlandish careless behavior resulting in a diagnosis as a schizophrenic and she spent time in the many different hospitals and sanatoriums in Europe and America.  Sadly, after years of living their hedonistic lives, the couple had separated and Fitzgerald was living with his mistress in Hollywood at the time of his death in 1940, cause of death was listed as a heart attack.  Zelda, never fully recovering after the loss of her husband, died several years later in 1948 in a horrible fire while she was a patient at a hospital in Asheville, NC.         

F. Scott and Zelda with their daughter, “Scottie”

Catherine Wendell

Catherine Wendell (November 29, 1900 – April, 8 1977) was an American beauty who was born in New Hampshire into an upper middle class family and she later moved to England in 1911 with her widowed mother and siblings after the death of her father; her birth name was Anne Catherine Wendell.  Catherine was destined for unhappiness and she married three times, her second husband was Geoffrey Grenfell who she married in 1938 and her third husband was Stuart Mommand who she married in 1950.

Catherine Wendell

Catherine is perhaps best known through her marriage to her first husband Henry Herbert (Lord Porchester “Porchey”), their wedding took place on July 17, 1922 in St. Margaret’s Church in Westminster, England.  The couple were only married a short time when Porchey’s father died while in Egypt in 1923, his father had been there because he was funding the famous archeologist Howard Carter who had recently discovered the tomb of Tutankhamun. 

Lord Porchester “Porchey” and Catherine Wendell on their wedding day

After his father’s death, Porchey became the 6th Earl of Carnarvon and Catherine became Lady Carnarvon and they lived at Highclere Castle (best-known as the filming site of the popular television series “Downton Abbey”).  The couple went on to have two children, Henry born in 1924 and Anne Penelope born in 1925.

Lady Carnarvon with her two children,
Henry and Anne Penelope

Initially, for a short time, the marriage appeared to be fine and the couple had a busy social life with the aristocratic and royal set, entertaining frequently at Highclere and going to horse races and attending other events in London. Unfortunately, Catherine was very unhappy since Porchey proved to be unfaithful, had numerous affairs and at times he was very abusive.  This situation left Catherine very shaken and she began to drink heavily, she was not completely the victim in this marriage and she also had affairs.  Finally, after thirteen years of mental and physical anguish, the couple divorced in 1936. 

Cornelia Vanderbilt

Cornelia Vanderbilt (August 22, 1900 – February 7, 1976) was an American heiress and the only child of George Vanderbilt II and Edith Stuyvesant Dresser; she was named for her paternal great-grandfather Cornelius Vanderbilt.  Her father died in 1914 and at the young age of fourteen years old she inherited the Biltmore Estate in Asheville, NC, the 250 room mansion is considered the largest privately owned home in the United States.  She received an annual sum of $2,000,000 when she turned 21 years old and then the full inheritance of $50,000,000 at the age of 25 years old.   

Cornelia and her mother Edith had spent time in Washington D.C. after the death of her father.  It was there that she met the British aristocrat, John Cecil, who was then the secretary to the British Embassy.  At the time Cecil was named one of the most eligible British bachelors and he had been raised in Norfolk and he attended Oxford College where he studied history and international law before becoming a member of the British diplomatic corps.  In anticipation of their upcoming wedding, Cecil resigned his post and planned to work full time managing the Biltmore Estate.    

Cornelia Vanderbilt and John Cecil

Cornelia and Cecil were married on April 29, 1924 in a lavish ceremony held at the All Souls Cathedral in the Biltmore Village followed by a grand reception at the Biltmore Estate. 

Cornelia on her wedding day standing near the Grand Staircase inside the Biltmore
photo from the Biltmore Estate website

Cornelia’s beautiful wedding dress was made of white satin and featured a long straight column silhouette with long sleeves; her satin shoes were trimmed with orange blossoms.  Her bridal veil of tulle and lace was four yards long and she carried a bridal bouquet which featured orchids and lilies of the valley and was made locally by a florist in Asheville.   

Cornelia and John Cecil at the All Soul’s Church in the Biltmore Village in Asheville, NC
photo from the Biltmore Estate website

Cornelia and her bridesmaids and flower girls in possession into the church
(Cornelia’s mother, Edith, is seen walking her down the aisle)
photo from the Biltmore Estate website

Cornelia and John Cecil with their large wedding party
in the Tapestry Room at the Biltmore
photo from the Biltmore Estate website

The wedding reception of Cornelia and John Cecil
which took place in the Garden Room inside the Biltmore
photo from the Biltmore Estate website

The couple lived at the Biltmore and continued the traditions of entertaining on a grand scale while managing the Estate property and farming operations.  Cornelia and Cecil had two sons, George born in 1925 and William born in 1928.  But after several years Cornelia became bored with her life at the Biltmore and in 1932 she moved to Greenwich Village in New York City to study art to live a bohemian lifestyle and eventually she moved to Paris and then England, she never returned to North Carolina.  Cornelia and Cecil divorced in 1934; Cecil remained living and managing the Biltmore Estate although during World War II he was briefly stationed in England before returning to North Carolina after the war.

Cornelia (now assuming the name of Mary) went onto marry twice more, her second husband was Captain Bulkeley- Johnson and they were married in 1949 (he died in 1968) then she married her third husband William Goodsir in 1972.  Cornelia died in Oxford, England on February 7, 1976 at age of 75 years old.

Also, for information regarding another famous 1920s bride, please click on the links to the Wedding of Prince Albert and Lady Elizabeth (the future King George VI and Queen Elizabeth, the Queen Mother) and also A British Bride – Lady Elizabeth Bowes-Lyon.

For additional information about 1920s brides depicted in television and movies, please click on the links to Downton Abbey Weddings and It Happened One Night.

   

A Blue Wedding – ideas and suggestions

This will be the third post in the ongoing series about the annual Pantone color of the year.   Every year the Pantone Color Institute selects a color that will set the trends for home decorations, fashion and also weddings for that year.  The Pantone Color for 2020 is called Classic Blue and it is beautiful deep blue shade; the color evokes feelings of serenity, calmness and tranquility.    

The Pantone Classic Blue color would be a great wedding color to use particularly for a beach/summer wedding, the color would pair beautifully with either silver or gold accents. Using the color as inspiration, in this post I will discuss several ideas and suggestions for creating blue wedding decorations for the ceremony and reception as well as bridal accessories including beautiful bridal bouquets and other blue items that could be incorporated in the wedding design.     

Ceremony decorations

The classic blue color would be lovely for most indoor or outdoor wedding ceremony; the color would look very regal in a grand ballroom or would contrast beautifully for a garden ceremony or would also look wonderful for a beach wedding.  

The photo below shows a floral arch for an outdoor tent wedding, notice that the flowers used include not only the classic blue color of the hydrangeas but also lighter and darker shades of other blue flowers.  Although this arch was used for an outdoor ceremony, it could also be used for an indoor ceremony but the height of the ceiling and any other venue restrictions need to be taken into consideration.   

Shown below is a photo for a blue chiffon chair sash to be used at a wedding ceremony.   This style of chair sash would look great on the end chairs of each row for a beautiful aisle decoration but if the wedding budget will allow the chair sashes could really make a bold color statement if used on each chair at the ceremony. 

Below are shown two ideas for aisle decorations, the first would use a classic white aisle runner that would look lovely with blue rose petals scattered along the edges.  The second idea would use a bold classic blue aisle runner and this choice would make a sharp contrast to the bride’s white wedding dress definitely making her the focus as she walked down the aisle. 

Reception decorations

Classic blue decorations would look beautiful for a wedding reception in a grand ballroom but would also look great for an outdoor garden reception during the day or under a tent at a beach reception.  Shown below are two different styles of floral centerpieces, the first shows a simple low arrangement of blue and white flowers.  The second style is a tall floral centerpiece using an arrangement of blue and white flowers with a glass vase. 
Special Note: When selecting options for a wedding day and making decisions regarding weather conditions, keep in mind that if the reception is taking place on the beach the wind could topple high floral arrangements so low centerpieces would probably be a better choice to avoid any unpleasant accidents.  

If the wedding budget will allow, consider upgrading to a style of tablecloth that would add a textural element to the guest tables.  Shown below are two examples of classic blue tablecloths, the first is a pintuck style and the second is a beautiful rosette style. 
Special note:  If the wedding budget is limited the plain satin tablecloths for the guest tables would look great but maybe you can consider selecting one of these other styles for the cake table only to showcase the wedding cake.   

Shown below are relatively inexpense butterflies that can be purchased in bulk to used for wedding reception decorations for guest tables at each place setting either resting on crisp white napkins or dangling from tall floral centerpieces with clear fishing line to give the appearance that they are fluttering in the air above the table.  This same idea of the butterflies suspended from above would also look very enchanting from a ball room chandelier or over a reception dance floor. 

The next classic blue wedding items pertain to food items, the first features a white tiered wedding cake with blue fondant roses.  

The classic blue butterflies mentioned previously could also be used instead of the blue roses and placed on each tier of the white wedding cake.  Another idea instead of the blue roses would be a cake topper of ceramic blue birds, such as the one shown below.

Bridal accessories and other wedding items

A subtle way to add a touch of “something blue” would a pair of beautiful classic blue strap pumps peeking out from under the brides white wedding dress, these shoes are by Badgley Mischka.

To compliment the blue pumps shown above, the perfect bridal accessory would be a lovely set of diamond, pearl and sapphire earrings.

Another bridal accessory to add a “something blue” would be a set of bridal garters, one to keep and one to toss to the single ladies, the ones shown below are from Weddbook.

Blue flowers can also be used for a bride’s bouquet and shown below is a loose tied bouquet that features shades of blue and white flowers. 

Shown below are two several ideas for classic blue items for the flower girl and the ring bearer.

Delftware is a specific style of blue and white pottery that was first made in the early 17th century in Holland and would coordinate beautifully with a classic blue theme wedding.  For more information about the history of Delftware and also some great ideas and suggestions for incorporating this style into a wedding, click on the link.

The Greville Jewelry Collection

Some of the most exquisite pieces of jewelry worn by the British Royal family came from a relatively unknown woman named Mrs. Greville.  Included in this small priceless collection are two beautiful tiaras, one is the Greville Diamond Tiara worn in the past by the Queen Mother and now by Camilla the Duchess of Cornwall and the other is the  Greville Emerald Kokoshnik worn by Princess Eugenie at her wedding in October 2018.  Another favorite item that was worn previously by the Queen Mother and now worn by the Duchess of Cornwall is the stunning Greville Festoon Necklace.  Also from the Greville collection is the Ruby and Diamond Floral Bandeau Necklace worn most recently by the Duchess of Cambridge.

Before I go into detail about several of the Greville jewelry pieces let’s find out about the women who originally possessed this amazing jewelry collection and how it came to the British Royal family.  Margaret Andersen Greville (born: December 20, 1863 died: September 15, 1942) was the daughter of the multimillionaire founder of the Fountain Brewery in Scotland, William McEwan, and his mistress Helen Anderson.  It is interesting to note that over twenty years later McEwan and Helen finally married in 1885 after the death of her first husband, at the time their daughter, Margaret, was 21 years old. 

In 1891, Margaret married the Hon. Ronald Greville who was eldest son of the 2nd Baron Greville and later he became a Member of Parliament.  In 1906 Margaret’s father purchased Polesden Lacey, a large country estate located in Surrey, England for the couple.  Sadly, Margaret’s husband died two years later in 1908 and then her father in 1913.  Since Margaret was the only child of McEwan, upon his death the bulk of his estate went to her thus making her a very wealthy woman.    

Mrs. Greville was a philanthropist, a socialite and she was named a Dame Commander of the British Empire in 1922.  She was friends with many members of the British Royal family including Queen Mary and Lady Elizabeth Bowes-Lyon (later to become Queen Elizabeth, the Queen Mother).  In fact when Lady Elizabeth married Prince Albert (later to become King George VI) in 1923 they spent part of their honeymoon at Mrs. Greville’s country estate.

When Mrs. Greville died in 1942 she was buried at Polesden Lacey and the estate is now run by the National Trust and is open to the public.  So, throughout the years Mrs. Greville was a great collector of fine jewelry especially Boucheron and Cartier.   Since the Grevilles had no children the majority of her priceless jewelry collection went to the Queen Mother.  The size of the collection was not made known to the public at the time but it is estimated that there were about 60 pieces of jewelry. Then upon her the death of the Queen Mother in 2002 her daughter, Queen Elizabeth II, inherited the Greville jewelry collection. 

So, let’s take a look at a few of the items from the Greville jewelry collection that has been worn by the British Royal Family over the past decades.

The Greville DiamondTiara

Perhaps one of the most iconic pieces from the Greville jewelry collection is a stunning diamond tiara.  Since the social elite were known to “repurpose” their jewelry often by taking the stones from one piece and using them to create a different piece, a necklace could be made into another necklace or a tiara could be used to create a necklace.   

The history of the Greville Tiara is an interesting example because it has taken on three distinct design styles.  The first version of the tiara, shown below, had a very different design that featured a floral motif and was worn by Mrs. Greville for the coronation of King Edward VII in 1901.  It has been noted that the diamonds used to create this tiara might have come from another tiara that had been a wedding present from her father.     

Then, in 1921 Mrs. Greville had that tiara redesigned into a second version, shown below, which became known as the Boucheron Honeycomb Tiara.  The platinum millegrain setting features an intricate “honeycomb” pattern with pave diamonds and large round diamonds set in the center of each section.  This is the version of the tiara that Queen Elizabeth, the Queen Mother received as part of the inheritance from Mrs. Greville.

Now known as the Greville tiara it became one of the Queen Mother’s favorites which she wore quite frequently.  Then in 1953 the Queen Mother sent the tiara, shown below, to Cartier to be redesigned into a third version.  There was an addition of five raised sections that featured a large marquise diamond with three large round diamonds at the center and four additional sections with each featuring four large round diamonds.   

After the Queen Mother’s death the Greville collection went to her daughter, the present Queen Elizabeth II but she never wore the Greville tiara in public.  Then in 2005 after her marriage to the Prince Charles Camilla, the Duchess of Cornwall was given a long term loan of the Greville tiara and it has now become one of her favorites to wear.  

The Greville Emerald Kokoshnik Tiara

The Emerald Kokoshnik tiara was commissioned in 1919 by Mrs. Greville and was made by Boucheron.  The tiara is designed in a style known as kokoshnik (a traditional Russian headdress) which was a type of tiara popular with the Russian Imperial Family.  The tiara features pave diamonds set in platinum with a large 93.7 carat cabochon-cut emerald in the center and several smaller square-cut emeralds set on either side.  

The Emerald Kokoshnik tiara was part of the Greville jewelry collection that was inherited by the Queen Mother and then Queen Elizabeth II.  The tiara was never worn by either of the two Queens and in fact it was not seen in public for several decades.  Then in 2018, Queen Elizabeth graciously loaned the tiara to her granddaughter to wear for her wedding to Jack Brooksbank, for more information on this British Royal Wedding please click on the link. 

The Greville Festoon Necklace

The Greville Festoon Necklace is perhaps one of the most extravagant pieces from the Greville jewelry collection that was inherited by Queen Elizabeth, the Queen Mother in 1942.  Mrs. Greville had commissioned Cartier to create the Festoon Necklace in 1929 “repurposing” stones from her previous jewelry.  The original design featured two long strands of diamonds set in platinum; each section of each strand has one large diamond flanked by two smaller diamonds.  A later version of the necklace added an additional shorter three strand necklace; the two pieces (the two strands and the three strands) worn together make a stunning necklace but look equally impressive if worn separately.

After the Queen Mother received the Festoon Necklace it became one of her favorite pieces and she would often were the three strand necklace by itself but for a special occasions she would “dress to impress” by wearing all five strands together with the Greville Tiara.  As she got older the Queen Mother and became frailer she would most often wear only the three strand necklace so as not to overwhelm her small stature.  When the Queen Mother passed away in 2002, the Greville jewelry collection went to her daughter, Queen Elizabeth II. 

After her marriage to Prince Charles, the Queen has given a long term loan of the Festoon Necklace to Camilla, the Duchess of Cornwall.  Much like the Queen Mother, the necklace has become one of her favorite pieces and looks very impressive when paired with the Greville Tiara.    

The Greville Ruby and Diamond Floral Bandeau Necklace

Mrs. Greville originally purchased the Ruby and Diamond Floral Bandeau Necklace from Boucheron in 1907.  The intricate floral design of the necklace features rubies and diamonds set in silver and gold and finished with a diamond pendant. 

After the necklace came into the possession of Queen Elizabeth (later known as the Queen Mother) she eventually gave it to her oldest daughter, Princess Elizabeth (later to become Queen Elizabeth II) as a wedding gift when she married Prince Phillip (later known as the Duke of Edinburgh) in 1947. During the 1950s, the newly crowned Queen Elizabeth wore the Rudy and Diamond Bandeau Necklace frequently for her evening engagements but the deep V of the necklace design with the added length of the diamond pendant made it a difficult piece to wear with her evening dresses.  Despite having it shortened, by the 1980s she wore the necklace less often. 

Then in 2017 the Queen loaned the necklace to Catherine, the Duchess of Cambridge who paired it beautifully with a blush pink evening gown.   

The Greville Emerald and Diamond Necklace

It has been speculated that the Greville Emerald Necklace was created from emeralds that were once part of a necklace that belonged to Empress Josephine and the diamonds came from a necklace once owned by Marie Antoinette.  This might be an embellished story originating from Mrs. Greville to add even more significance to the impressive necklace.  The Greville Emerald Necklace design featured large square-cut emeralds surrounded by diamonds linked together with a central large rectangular-cut emerald pendant.    

The Greville Emerald Necklace was another beautiful item from the jewelry collection that was inherited by the Queen Mother in 1942 upon the death of Mrs. Greville.  The Queen Mother wore the Greville Emerald Necklace often for state banquets or other important engagements.  The Queen Mother wore it was for a formal portrait in 1990 as seen below with her daughter, Princess Margaret and two of her grandchildren, Prince Andrew and Princess Anne.

The Greville jewelry collection was inherited by Queen Elizabeth in 2002 after the death of the Queen Mother and she has not worn the Greville Emerald Necklace since that time.  Recently it was thought that the necklace she wore to a diplomatic reception at Buckingham Palace in 2019 was made from the Greville Necklace.  The 10 square-shaped emeralds surrounded by diamonds looks very familiar but with the addition of 10 emerald drops.  The Queen wore this new necklace with the Vladimir tiara which was also set with emerald drops that she paired with emerald and diamond earrings.     

The Greville Chandelier Earrings

The Greville Chandelier Earrings were made for Mrs. Greville by Cartier in an Art Deco style and feature diamonds in several different cuts and shapes including emerald, square, pear, baguette and more in a platinum setting.  The earrings were part of the Greville jewelry collection inherited by Queen Elizabeth, the Queen Mother in 1942 upon the death of Mrs. Greville.

When Princess Elizabeth (later to become Queen Elizabeth II) married in 1947 she was given the Greville Chanelier Earrings as a wedding gift from her parents.  Shown below is a 1953 photo of the newly crowned Queen Elizabeth wearing the earrings with the Diamond Diadem. 

Throughout the years the Greville Chandelier Earrings have become one of the Queen’s favorite pieces of jewelry wearing them quite frequently for evening engagements.  

The Greville Peardrop Earrings

The Greville Peardrop earrings were made for Mrs.Greville in 1938 by Cartier and feature two pear-shaped diamonds weighing over 20 carats which are suspended from emerald-cut and pentagonal diamonds and set in platinum.

After Queen Elizabeth, the Queen Mother inherited the Greville Peardrop Earrings became one of her favorite pieces from the grevillea jewelry collection and she wore them very often.  Upon the Queen Mother’s death in 2002 the Greville Peardrop Earrings were inherited to Queen Elizabeth.        

So, these are just a few of the pieces from the Greville jewelry collection that have been worn by the British Royal family since they were inherited from Mrs. Greville after her death in 1942.

Movie Costumes – Titanic

In this post I will discuss the costumes worn in the 1997 Titanic film by director James Cameron.  The movie blends the tragic history of the sinking of the RMS Titanic during its maiden voyage with the fictional romantic love story of Jack Dawson and Rose DeWitt Bukater as played by Leonard DiCaprio and Kate Winslet.  The film was both a critical and commercial success winning 11 Academy Awards including Best Picture, Best Director for Cameron and Best Costume Design for Deborah Scott. 

For this post I will specifically focus on the dresses worn by the character of Rose.  The film is set in 1912 which was a time when first class women passengers were expected to travel on a transatlantic trip with an extensive wardrobe required because of the multiple changes per day that were needed according to the various social activities on board the ship.  There were traveling dresses or tailored suits worn when arriving at the departure port or disembarking at their destination, dresses worn in the morning when in the stateroom or while walking on deck, afternoon dresses worn for lunch or tea and of course elegant evening dresses worn for the formal dinners held each night in the grand dining room.  Several sets of undergarments would also be needed for dressing, starting with a chemise and bloomers worn under a corset and then a camisole, petticoat and stockings. Numerous accessories were usually needed to coordinate with each outfit and would include coats, shawls, shoes, gloves, hats and jewelry.  In addition, clothes for sleeping and silken robes to be worn when relaxing in the stateroom would complete the items of clothing required for first class women’s travel wardrobe.

Fashion Note:  Several of the beaded evening dresses worn by the character of Rose in the Titanic movie would be a great inspiration for a bridal dress for a formal wedding.  In fact the black beaded dress with the silk coral underskirt was duplicated in white for the final dream/heaven scene at the end of the film.  In addition, some of the less embellished dresses, such as the white chiffon with the pink sash, would be great style for a bride or bridesmaid dress for a spring or summer wedding. 

TAILORED SUIT

When arriving at a port to embark on an ocean voyage first class woman passengers would often wear their best tailored suit, these type of outfits were also a sensible choice for strolling on board the ship while in the colder climate of the North Atlantic.  A tailored suit, sometimes known as a traveling or walking suit, consisted of a straight “hobble” skirt that tapered to a narrow opening at the ankles thereby restricting movement. Matching jackets would extend over the hips and were often cut asymmetrical to further the illusion of length. White blouse were most often worn underneath, pin tucks or ruffles were sometimes added a feminine element to the severe suit style. 

Rose’s pin-striped traveling suit

In the beginning of the Titanic film a scene shows a women emerging from a car but her face is hidden under a rather large hat.  The dark straw hat features a wide brim with an enormous striped ribbon bow and as she raises her head to look at the towering ship we see that it is Rose.  The pin-striped tailored suit she is wearing features a straight narrow skirt and a matching long jacket with a dark velvet notched lapel accented with a dark belt at the waist, a white blouse with a rounded collar is worn underneath with a black tie; Rose completes her traveling ensemble by wearing sensible shoes, white leather gloves and carrying a parasol.

Movie Note: The large brimmed hat with the elaborate embellishment was a popular trend during the early 1900s and in the film this fashion choice really added to the drama of the scene as the character of Rose is revealed for the first time.

DAY DRESSES, SHAWLS AND COATS

While on board ship, the first class women passengers would continue to take extra care when dressing for lunch or tea since it would be another opportunity to show their high status in society and also their wealth by wearing the latest Parisian fashions.  Day dresses were generally made of silk or cotton material and featured long slim skirts that tapered at the ankles and often had long fitted sleeves.  Sometimes, for colder weather, these dresses would be worn with a matching wool jacket or coat for perhaps a beautiful shawl or luxurious fur coat for the older women.  

Movie Note: To visually aid in contrasting the distinction between the upper class and refined Rose and the lower working class Jack, she wears colorful dresses made in fine fabrics featuring lace and embroidery to define her upper class style while he wears drab brown colored trousers and well-worn shirts.   

Rose’s green lace dress

For lunch on the first full day at sea Rose is in the opulent dining room and she is feeling slightly bored by the dull conversation at the table and also confined by the social restrictions demanded by her mother and fiancé.  She abruptly leaves the table and goes to the ship’s upper class deck to clear her head and it is while standing at the railing looking out to sea that Jack sees her for the first time from below on the third class deck, He is intrigued by her beauty and Rose appears very poised and slightly aloof while she notices Jack staring at her. 

In these scenes, for the cooler North Atlantic climate, Rose is wearing a lovely green day dress with sensible long sleeves and an ankle length skirt featuring layers of beautiful lace, a bold wide red sash with a large fabric rose accents her trim waist.

Rose’s blue velvet dress and silk embroidered shawl

After a misunderstanding, Rose once again goes in search of Jack on board the ship to apologize for her behavior.  She finds him at the front of the ship as the sun is beginning to set over the North Atlantic.  To encourage Rose’s newfound feeling of freedom and to share in the pure joy of the moment, Jack has Rose climb the railing at the bow of the ship to let her experience the unique feeling of seemingly soaring over ocean.  This scene filmed with the background of the dramatic twilight lighting has become one of the most memorable and romantic of the movie.

For this iconic scene Rose is wearing a beautiful blue velvet dress with an ankle length skirt, long sleeves and lace detail at the bodice, worn over the dress is an ivory silk fringed shawl.  The color of the dress is a lovely contrast against her pale porcelain white skin and her stunning red hair. 

Rose’s white chiffon, pink sash dress and pink coat

After a scandalous rendezvous in Rose’s stateroom where Jack sketches her posing nude while wearing the extravagant “heart of the ocean” necklace (more on that piece of jewelry at the end of this post!) the couple is discovered and escape running into the various lower portions of the ship until they emerge onto the deck just in time to see the ship collide with an iceberg.  Rose and Jack return to the stateroom to inform her mother that the ship is sinking and the passengers are being evacuated.  Meanwhile her fiancé, after learning that Rose and Jack are now romantically involved, in a jealous rage unjustly accuses Jack of stealing the “heart of the ocean” necklace.  Throughout their remaining hours on board the sinking Titanic Rose and Jack are separated numerous times and they struggle to remain together until the ship goes down in the frigid waters of the north Atlantic Ocean.

In these final scenes of the film Rose is wearing an ethereal multi-layered white silk chiffon dress accented with shades of lavender layered across the bodice, light and darker pink silk sashes are draped around the high waist, tied and cascade down the back of the dress.  Then, as the passengers prepare to board the lifeboats, Rose is seen wearing a full length coat over her white dress as protection from the cold.  The coat is made of pink wool which is lined in matching pink silk and features black silk braiding at the collar and cuffs.  Rose eventually takes off the coat as the water begins to flood the ship as she searches for Jack.  When the couple is reunited and they return on deck Jack has gallantly gives Rose his long dark coat (more on the importance of the coat later in this post!)   

Movie Note:  Much like the fashion choice used in the film with the dramatic reveal of Rose hidden by the large hat, the dress she wears during these final scenes of the sinking of the Titanic was probably used to convey a subtle meaning.  At this point in the story Rose has rejected the social restrictions set by her mother and fiancé and must importantly she feels happiness in her love for Jack.  The white chiffon dress was an important choice because it appears so much lighter in style without the heavy embellishments of Rose’s other dresses worn earlier in the film and this helps to convey the change in her newfound feeling of freedom.   

EVENING DRESSES

During the long Victorian Era (1837 to 1901) women’s fashions were more modest in style with high collars and long sleeves, full skirts worn with several layers of heavy petticoats or crinoline and waistlines pulled in with uncomfortable corsets to achieve the desired hourglass silhouette.  Then, during the shorter period of time known as the Edwardian Era (1901 to 1910) the style of women’s fashions became more relaxed with narrower skirts worn with a single petticoat and less restricting corsets to create a long and slim silhouette.  The elegant evening dresses were more daring with lower necklines and shorter sleeves, these dresses were made with luxurious rich fabric such as silk and embellished with heavy beading and netting.   

Rose’s black and red evening dress

In a dramatic scene when a distraught Rose is holding onto the railing of the Titanic and contemplating jumping, Jack gallantly saves her and this is the moment when they first meet and their love story begins.

In this scene Rose is wearing a stunning black and red evening dress that features a narrow skirt, high waist and cap sleeves.  The dress is made of a rich red satin material with an overlay of black tulle netting that is embellished with embroidery and beading.

Rose’s black and deep coral evening dress

After the ordeal of Rose almost jumping, Jack receives an invitation to dine in the upper class section of the ship as a thank you for his rescuing her.  Jack is loaned a formal tuxedo since his lower class clothing would not be acceptable in the opulent dining room where the tables were set with crisp white linens, bone china, crystal glassware and numerous silverware. Later Rose and Jack join a festive and very lively party below deck in the lower class section of the ship

For these scenes Rose is wearing another beautiful evening dress.  The dress is made of a lovely deep coral taffeta with overlapping layers of black netting that is heavily embroidered and beaded. To complement her ensemble Rose is wearing long white gloves, a diamond necklace and earrings, her long red hair is worn in a loose bun and intertwined within her curls are long strands of beading to match the dress.     

Rose’s white beaded evening dress

In the final scene of the movie, in a heavenly dream we see the young Rose being reunited with Jack back on board the Titanic.  As the camera moves around the area of the grand staircase the couple is surrounded by a crowd of people, including the ship’s captain, the crew and several passengers who had all perished when the ship sank in 1912.

For this scene Rose is wearing a duplicate of the black and coral evening gown but this version is made of white taffeta and white beading, her hair is worn in loose curls.    

JEWLERY

Rose’s enameled butterfly hair comb

When watching a report on the artifacts that are discovered among the wreckage of the RMS Titanic, an elderly Rose is shocked when she sees Jack’s sketch of her that was done so many years ago and she makes arrangements to be flown out to the research ship.  As she looks at the items retrieved from the bottom of the Atlantic Ocean she picks up a lovely enameled butterfly hair comb that she had worn during her time on the Titanic … and the memories start to come back to her and she begins to tell the story on what happened on that fateful maiden voyage.

Rose can be seen wearing the butterfly hair comb in the iconic romantic scene when she is at the bow of the Titanic.  The Art Nouveau design of the hair comb was a popular style during the late 19th and early 20th century and frequently featured very artistic designs of all different types of flora and fauna.  In this case the tortoiseshell hair comb had a large butterfly that was probably made in celluloid or glass cabochon in a lovely jade color and then hand finished with enamel detailing.

Movie Note:  There were actually two different butterfly hair combs used in the Titanic film, one is made to look like it was just bought by Rose during a shopping trip to Paris or London while the second one has an aged and worn look because it was supposed have been found in the ship’s wreckage at the bottom of the Atlantic Ocean.

Heart of the Ocean necklace

While on the ship, Cal (Rose’s fiancé) has presented her with a stunning necklace known as the “Heart of the Ocean”. This is the same piece of jewelry that is worn when Rose scandalously asks Jack to sketch her in the nude.  The necklace is also used for a pivotal moment in the story when Cal unjustly accuses Jack of attempting to “steal” the priceless necklace. 

The “Heart of the Ocean” necklace in the Titanic film was inspired by the famous Hope Diamond (for more information, please watch for an upcoming post on this blog).  The necklace in the story was supposed to be a 171 carat heart-shaped Ceylon sapphire surrounded by 103 diamonds and set in platinum.  In fact, the prop necklace was made by Asprey & Garrard and features a large blue cubic zirconia to simulate the sapphire and clear cubic zirconia to simulate the diamonds set in white gold.     

Spoiler Alert: It is later, after Jack has died, and Rose is onboard the rescue ship that she reaches into the pocket of the coat that Jack had graciously given to her to protect her against cold temperature as the Titanic sank in the water of the North Atlantic Ocean.  She is shocked at the discovery but interestingly in all the years following the tragedy she never tells anyone that she has the expensive necklace!

After the success of the Titanic film, the Asprey & Garrard Jewelers created a duplicate Heart of the Ocean necklace which was donated to Sotheby’s auction house for an auction with a portion of the proceeds benefiting the Diana, Princess of Wales Memorial Fund.  This version of the Heart of the Ocean necklace was eventually donated to the Charlestown Shipwreck & Heritage Center (formerly known as the National Shipwreck Museum) located in Charleston, Cornwall in England where it can be currently seen on display.  

Movie Note:  It is the “Heart of the Ocean” necklace that the research crew is trying to find in the wreckage of the RMS Titanic.  In a very controversial scene at the end of the film, the elderly Rose steps onto the railing of the research ship and the “Heart of the Ocean” necklace slips through her hands and falls into the water of the North Atlantic Ocean. 

It is almost the exact spot where the doomed Titanic had hit an iceberg on the night of April 14 and sank within a few hours in the early morning of April 15 while making its first transatlantic voyage from Southampton, England to New York City in 1912.  Sadly, an estimated 1500 of the approximately 2200 passengers and crew died making it one of the worst marine disasters in modern history. 

British Royal Brides Wedding Dress Hidden Messages

The wedding dress hidden message trend has been used throughout the years (centuries) and sometimes a bride will include a hidden sentimental touch to her wedding dress by incorporating a monogram, the wedding date or a blue silk thread for her “something blue”.  Most recently the hidden message trend has become very popular with today’s modern brides. For some inspiration I will discuss several British Royal brides, such as Queen Victoria, Queen Elizabeth, Catherine Middleton, Meghan Markle and Princess Eugenie that have incorporated hidden messages into their wedding dresses with their choice of fabric selections, embroidery embellishments or dress designs. 

Queen Victoria

Queen Victoria was known in her later years as always wearing black mourning after her beloved Prince Albert died but she also set many wedding trends such as wearing a white wedding dress to the Royal tradition of adding myrtle to a wedding bouquet.  As Queen Victoria prepared for her marriage to Prince Albert in February 1840 she made many decisions about her wedding dress based on personal and political reasons.

The first fashion decision Queen Victoria made was a personal choice for the color of her wedding dress.  At the time most Royal brides had most often worn wedding dresses made of the finest fabric embellished with precious gold or silver threads to reflect their elite status.  It is possible that for this reason Queen Victoria selected a simple white cream fabric because she wanted to convey a hidden message to her future husband that although he was marrying the British monarch she was still just a woman who was marrying the man she loved.  Special Note: Since that time, based on Queen Victoria’s unique color choice, the white wedding dress became very popular for many generations of brides and throughout the years it has come to mean innocence and purity which are virtues long associated with the Victorian era.

Queen Victoria also selected the Spitafields silk fabric as a hidden message in promoting the British manufacturer for political and economic reasons since with the onset of mechanical looms that mass produced cheaper and inferior quality fabric made available for the middle and lower classes which ultimately affected the English silk industry and caused sales to dramatically decline.       

Queen Victoria’s wedding dress on display – photo from the Royal Collection trust

Queen Victoria’s choice of lace was also selected as a hidden message for political and economic reasons.  The fashion style of the time used imported Brussels lace but because Queen Victoria was the monarch of England she also wanted to promote and revive the failing British Honiton lace industry.  Honiton lace was used for the trim on her wedding dress and also for her bridal veil. 

Queen Victoria’s wedding veil – photo from the Royal Collection Trust

Another hidden message, to perhaps remind Prince Albert that although he was marrying a queen she was still just a woman marrying the man she loved, Queen Victoria made a personal choice to wear a wreath of orange blossoms to secure her veil to her head instead of a Royal crown or tiara that would befit her status as monarch. 

For more detailed information about the wedding of Queen Victoria and Prince Albert and also Queen Victoria, a British Royal Bride please click on the links.

Queen Elizabeth II (formerly Princess Elizabeth)

Much like her great-great grandmother Queen Victoria, when the young Princess Elizabeth (later to become Queen Elizabeth II) married Prince Phillip in 1947 she also made many decisions about her wedding dress based on personal and political reasons.  At the time of her wedding Britain was still recovering from World War II and rationing of food and other goods was still in effect so the British government issued Princess Elizabeth 200 extra coupons to help defray the cost.  A political decision was made by the Palace, that in order to boost the morale of the country, Princess Elizabeth’s wedding would be a national event with all pomp and circumstances expected for the heir to the British throne. 

Another political reason which was a hidden message was the selection of the material for Princess Elizabeth’s wedding dress.  Silk material made in Britain from the silkworms imported from China, not wartime enemies such as Japan and Italy, was used.  Also the crystals and pearls used for the wedding dress embellishments were imported from the United States.

Princess Elizabeth made a personal decision with the fashion designer Norman Hartnell when it came to the style of her wedding dress and she selected a romantic dress design inspired by the Italian Renaissance painting “La Primavera” by Botticelli.  Known for incorporating elaborate embroidery, Hartnell designed Princess Elizabeth’s beautiful ivory silk satin dress with a hidden message of renewal and hope that featured flowers such as jasmine, smilax, lilac, wheat and roses.  The silk tulle train was also embellished with an embroidered and beaded pattern of wheat and roses with appliqué duchess satin stars. 

Princess Elizabeth’s wedding dress on display – photo from the Royal Collection Trust

Embroidery and bead details of Princess Elizabeth’s wedding dress

Embroidery and bead details of Princess Elizabeth’s wedding veil

For more detailed information about the wedding of Princess Elizabeth and Prince Phillip and also Princess Elizabeth, a British Royal Bride please click on the link.

Katherine Middleton (now the Duchess of Cambridge)

When Katherine Middleton married Prince William in 2011 she worked closely with Sarah Burton of Alexander McQueen to design her lovely wedding dress, in keeping with the Royal bridal tradition Katherine had selected a British designer.  In a subtle hidden message to honor the four countries of the United Kingdom, the national emblems were incorporated into the lovely floral lace design of Katherine’s wedding dress; the rose for England, the daffodil for Wales, the thistle for Scotland and the shamrock for Ireland. 

Katherine Middleton’s wedding dress on display – photo from the Royal Collection Trust

Katherine Middleton’s wedding dress lace details

In a sweet hidden message in accordance with the Old English rhyme, “something old, something new, something borrowed, something blue, and a silver sixpence in her shoe.”, for good luck Katherine had requested that a blue ribbon be sewn into the bodice of her wedding dress. (For more detailed information about Katherine Middleton, a British Royal Bride, please check back later on this blog for a future post)

For more detailed information about the wedding of Prince William and Katherine Middleton please click on the link.

Meghan Markle

When Meghan Markle married Prince Harry in 2018 she selected the British designer Clare Waight Keller of Givenchy to design her elegant wedding dress.  To compliment the simplicity of the wedding dress, Meghan’s bridal veil was designed with delicate embroidery.  In a hidden message to honor the United Kingdom, Meghan had requested the flowers representing each of the 53 countries of the Commonwealth would be incorporated into the design of the bridal veil. 

Meghan Markle’s wedding dress on display – photo from the Royal Collection Trust

Meghan Markle’s wedding veil

Meghan Markle’s wedding veil details

Meghan also had the designer include two very personal hidden messages into the design of her bridal veil.  As an American-born bride and to honor the state where she was born Meghan requested that the California poppy be embroidered onto the bridal veil.  In addition, Meghan had the designer also include a very sentimental hidden message and a small piece of fabric from the dress that she wore on her first date with Prince Harry was sewn into the veil as her “something blue”.

For more detailed information about the wedding of Prince Harry and Meghan Markle and An American Bride – Meghan Markle, please click on the links.

Princess Eugenie

When Princess Eugenie became engaged Jack Brooksbank one of the first decisions she made was that her wedding dress would be designed with a low back to show the surgery scar that she had to correct her scoliosis. Since the surgery was such a defining moment in her life as a significant medical condition she overcame, Eugenie also decided not to wear a wedding veil so that the scar would be visible. 

The beautiful wedding dress Eugenie wore for her wedding in 2018 was designed by British-based designers Peter Pilotto and Christopher De Vos.  The fabric was custom made with several hidden messages incorporated into the design; the York rose to honor her father’s Royal heritage, the shamrock to honor her mother’s Irish heritage, the thistle to honor the bridal couple’s love for Balmoral in Scotland and lastly the ivy to represent the their home at Kensington Palace known as Ivy Cottage. 

Princess Eugenie’s wedding dress

Princess Eugenie also request an additional sentimental hidden message and she had the designers sew Mrs. Brooksbank into the lining of her wedding gown.

For more detailed information about the wedding of Princess Eugenie and Jack Brooksbank please click on the link.

Movie Costumes – White Christmas

This month the classic “White Christmas” movie from Paramount Pictures premiered 65 years ago in 1954 featuring the songs of Irving Berlin and starring Bing Crosby (as Bob Wallace) with Danny Kaye (as Phil Davis), Rosemary Clooney (as Betty Haynes) and Vera-Ellen (as Judy Haynes).

In this post I will be discussing the movie costumes designed by Edith Head for the White Christmas film, specifically six dresses worn by actresses Rosemary Clooney and Vera-Ellen.  Mrs. Head was a famous costume designer who worked at Paramount Pictures for 44 years before moving onto Universal Pictures.  (For more information, please look for a future post about the eight time Academy Award winner Edith Head and her illustrious career designing for some of the most beautiful women in Hollywood)

Special Note: Any of these six dress designs from the White Christmas film could be a great inspiration for a bridal gown or bridesmaid dress.  In particular the two black evening gowns, when made in white, would be very sexy bridal gowns while the blue lace and pink chiffon dresses would be lovely bridesmaid dresses for a spring/summer wedding and the green velvet dress would be a beautiful bridesmaid dress for a fall/winter wedding.

The Blue Lace Dress (“Sisters”)

This is the first time in the film that we see the characters of Betty and Judy Haynes preforming at a local Miami nightclub to a song appropriately called “Sisters”.

The Haynes sisters are wearing matching blue lace dresses which featured a high neckline, long sleeves, a fitted bodice and a full skirt with layers of crinolines.  To complete their ensemble the sisters are wearing long blue gloves to match the dresses and they are carrying large blue feathered fans that are used very artfully during the musical number.  

Special Note:  The blue lace dress would be a great inspiration for a bridesmaids dress but I would suggest a round open neckline instead and perhaps skipping the matching blue gloves and feather fans!

The Pink Chiffon Dress (“The Best Things Happen While You’re Dancing”)

 “The Best Things” musical number takes place outside the nightclub on the docks (it is one of my personal favorite scenes in the movie).  Judy is wearing a lovely pale pink chiffon dress that features a high neckline, large billowy sleeves, a tight bodice with a criss-cross detail and a full skirt with a darker pink crinoline shown underneath.  Phil in dressed in a grey suit with a white shirt and black tie, he is also wearing matching grey socks and grey shoes.

Bonus Dress: Betty is wearing a sexy periwinkle chiffon dress with a matching wrap.

Special Note:  Either the pink or periwinkle chiffon dresses would be a wonderful inspiration for a bridesmaid dress for a spring or summer wedding.  Also, the grey suit worn by Phil would be a great style for a groom, best man or usher.

The Black Sequin Dress (“Minstrel Number”)

For the full dress rehearsal of the Minstrel musical number Betty is wearing a black sequin long dress with just a peak of red showing at the daring strapless sweetheart neckline and, as you can see in the second photo below, at the back of the dress is a red tulle train.  Betty’s ensemble is completed with red sequin gloves and red sparkly bangles.      

Special Note:  For a formal evening wedding the black sequin long dress would be a great style for a white bridal gown.  The train at the back could be made in sparkle white tulle or if the bride wants a more colorful look and a touch of something blue she can use blue tulle!

The Green Velvet Dress

At the “fake” engagement party for Phil and Judy, Betty wears a dark green velvet dress with a very simple but elegant style.  The dress features cap sleeves, a tight bodice and a full skirt, detailing at the v-neck front and back of the dress add an interesting element.   

Special Note:  The dark green velvet dress would be a perfect style for a bridesmaid dress for a fall or winter wedding, the color and the type of fabric would be very suitable for the season.

The Black Long Dress (“Love, You Didn’t Do Right by Me”)

For the sultry “Love, You Didn’t Do Right by Me” musical number in the Carousel Nightclub Betty is wearing a sexy black velvet “fit and flair” long dress which features a daring deep v-neckline at the front and back, to complete the ensemble she is wearing long white silk gloves.   The best surprise of the dress is when Betty turns away from the camera to reveal the large rhinestone brooch pinned very low at the back of the dress!       

Special Note:  The style of the black “fit and flare” dress would be stunning made in white velvet for an evening winter wedding … and don’t forget to add a large rhinestone brooch pinned to the back!

Movie Note:  During the musical number in the nightclub one of the dancers in the scene is a young George Chakiris.  Seven years later he would go on to play the character Bernardo in the 1961 movie, “West Side Story”, he won an Academy Award for Best Supporting Actor for his work in the film.

The Red Satin and White Fur Dress (“White Christmas”)

For the musical finale of the White Christmas movie both Betty and Judy are wearing long red satin dresses with a full skirt and trimmed with white fur.  If you look closely there are some variations of the two dresses, Betty’s featured a narrow shawl collar with a large red berry and gold leaf brooch while Judy’s dress has a high collar neckline and a small cape trimmed with white fur.  To complete their outfits both are wearing red satin gloves and white fur muffs.        

Special Note:  The style of the dress worn for the “White Christmas” finale musical number would be a great inspiration for a bridal dress for a winter wedding.  Just image how a white satin and white fur trimmed bridal dress would look for an evening wedding!

Wedding Cake Topper Ideas and Suggestions

As I had previously mentioned in the post regarding the History of Wedding Cakes, wedding cake toppers before the 20th century were generally made by a pastry chef or wedding cake baker and handcrafted from frosting, gum paste, marzipan or occasionally non-edible materials, such as plaster of Paris.  These vintage cake toppers reflected the wedding theme and were often wedding bells, cupids or lovebird figurines. (For additional information about Wedding Cakes Display Ideas – Part One and Part Two, please click on the links)

Eventually figurines of the bride and the groom were also available.  After World War I and into the 1920s these figurines became popular wedding cake topper.  The bride and groom were generally separate figurines that were custom designed.  These types of figurines were made from paper, glass or wood and then placed on the top layer of the wedding cake. 

1920 wedding cake topper

In 1924, the Sears & Roebuck Company started to sell bride and groom cake toppers made of wax.  The figurines were available with a choice of the bride with or without a fabric wedding veil and the groom with or without a top hat.  These items proved to be very popular and the Sears catalog began to feature an entire page of wedding cake toppers readily available for anyone to purchase.               

Later, as the popularity for wedding cake toppers increased, the figurines started to be mass produced throughout the world.  Bride and groom cake toppers became available in a vast variety of materials, such porcelain and plastic.  Throughout the years wedding cake toppers have taken on many different forms besides the traditional style with a bride wearing a white dress and the groom in any color of tuxedo, even the hair and eye color can be customized. 

The different types of bride and groom figurines used for a wedding cake topper have also reflected the changing world.  During World War II the figurines were often made with the groom wearing a military uniform. Cake toppers are also now available in different ethnicities and in recent years there have been same sex couple figurines.

1940 wedding cake topper

1950 wedding cake topper

1960 wedding cake topper

Wedding cake toppers can also be personalized to reflect a bridal couple’s occupations whether that be a doctor, policemen or fireman.  There are other cake toppers that can depict a couple’s hobbies or sports; such are golfers, rock climbers, scuba divers or baseball or hockey.  Some figurines can also be added to a wedding cake to include a bridal couple’s pets, such as dogs, cats and even horses.

bride and policeman groom cake topper

baseball bride and groom cake topper

a whimsical wooden bride and groom silhouette with a dog and cat

Today a bridal couple can select from an unlimited variety of wedding cake toppers and their selection would depend on their personal preferences and they should take into consideration their wedding colors, theme or the size of the wedding cake. 

Listed below are several ideas and suggestions for wedding cake toppers –

Bride and groom wedding cake topper

The most common type of wedding cake topper is still the bride and groom figurine.  Figurines can be found that reflect the choice of bride’s dress and groom’s tuxedo/suit, the bridal couple’s hair/eye color or their ethnicity.  An unlimited variety of bride & groom cake toppers are available in several different types of materials, such as the classic plastic or resin figurines and fondant figurines made by a bakery or confectioner.  With a search on the internet customized bride & groom cake toppers can also be found made of clay, paper, wood, porcelain or glass.

a classic porcelain bride and groom cake topper

1997 Hallmark Barbie and Ken ornament which was used at our wedding as a cake topper

Special Note:  For a sentimental touch, a vintage wedding cake topper would be a great choice.  It could be a family heirloom saved from a parent or grandparents wedding and would be a wonderful way of adding “something old” or “something borrowed” to the wedding cake.   

Monogram wedding cake topper

A popular wedding cake topper is the monogram which can be a single initial from the bridal couple last name or the bride and groom first initial of their names romantically intertwined.  Monogram cake toppers can be made for any wedding theme and are available in several different types of materials, such as fondant, plastic or resin, metal, wood or glass.  Another beautiful option for a monogram cake topper is one made with real or artificial flowers.

an elegant monogram cake topper

a rustic twig cake topper using the bridal couple’s initials

For more on information, ideas and suggestions about using Monograms for wedding decorations, please click on the link.

Floral wedding cake topper

Floral wedding cake toppers are a great way to add an elegant style to a wedding cake.  The floral cake topper choices are unlimited and the flowers can be either real or artificial.  The selection of flowers or greenery used for a cake topper can be based on the wedding color or theme and can beautifully coordinate with the bride or bridesmaids bouquets or other floral wedding decorations. 

a lovely floral wedding cake topper

Special Note:  Be cautious when selecting real flowers for a cake topper and do not place them directly onto the wedding cake.  If possible place the flowers on a foam piece that could be cover with icing to match the wedding cake or a small container, but be sure to remove the foam piece or container before cutting the cake and serving. Be advised that some flowers can wilt quickly or their pollen could fall onto the wedding cake so it would be advisable to use artificial flowers instead.

Other traditional types of wedding cake toppers

As previously mentioned, the first wedding cake toppers were wedding bells, cupids or lovebird figurines.  These types of cake toppers would be a great alternative to use for a wedding and are still available in a wide variety of materials, such as plastic or glass.

a glass wedding cake topper with bells and love birds

a lovebird wedding cake topper

Please check back later on this blog for a post about unusual wedding cake toppers!

White House Weddings – Part Two

In Part One of the two part series on White House Weddings I discussed the weddings that took place from 1820 to 1886 starting with Maria Monroe, John Adams II, Elizabeth Tyler, Nellie Grant and President Grover Cleveland, the only President to be married in the White House.  In Part Two, I will discuss the weddings from 1906 to 1971 that include Alice Roosevelt, the three daughters of President Woodrow Wilson, Lynda Johnson and Tricia Nixon.

February 17, 1906 – Alice Roosevelt and Nicholas Longworth

The wedding of Alice Roosevelt and Nicholas Longworth III took place on February 17, 1906 in the East Room of the White House and it was the grandest social event of the Washington D.C. season.  Alice was the twenty-two year old daughter of President Theodore Roosevelt (the 26th President) and Nicholas was a Republican member of the U.S. House of Representatives from Cincinnati, Ohio.  Alice had gained fame and was the darling of Washington during her father’s term in office.  She was strong-willed and, like President Roosevelt, she had a zest for adventure.  Nicholas was 14 years older than Alice and a romantic relationship had developed during a diplomatic trip aboard and the two became engaged in 1905.

Shown above is a special commemorative postcard
for the wedding of Alice Roosevelt and Nicholas Longworth

Since Alice was the eldest daughter of President Roosevelt, there was enormous international interest in her wedding and more than a thousand guests were invited to the White House ceremony and reception.  On the day of the wedding there was so much excitement and anticipation in Washington that a large crowd had gathered outside to catch a glimpse of the bride.  Inside the White House the East Room had been lavishly decorated with the window draped with gold trimmed curtains and decorated with bunches of smilax and lilies.  A large platform was specially built so that the guests in the overcrowded room would be able to see the bridal couple and it was covered with an Oriental rug.  Behind the makeshift altar were palm trees and floral arrangements while on either side of the platform were several porcelain vases and urns filled with lilies.  After the ceremony and during the wedding reception, Alice seemed to be dissatisfied with the ordinary knife set on the table.  So, in a moment of spontaneity, she called to borrow the military sword of a nearby officer and that is what was used to cut the cake.

The East Room wedding decorations for Alice Roosevelt and Nicholas Longworth

On her wedding day, Alice wore a lovely blue wedding dress with an 18 foot long train made of silver brocade.  Always a person that wanted to be the center of attention she choose not to have any bridesmaids but she did agree to have her father walk her down the aisle.

  

Alice Roosevelt Longworth

The newlyweds had a brief honeymoon in Cuba before embarking on a more lengthy journey to Europe where they were entertained by King Edward in England and Kaiser Wilhelm in Germany.  Afterwards, the couple settled into a house in Washington D.C.  Although he lost the election of 1912 Longworth returned to Congress in 1914 and later became the Majority Leader of the House in 1923.  He died in 1931 from pneumonia and is buried in Spring Grove Cemetery in Cincinnati, Ohio (It has been reported that Alice burned her husband with his prized Stradivarius violin)

For a marriage that started out with such hope and promise, Alice and Longworth grew distant when the two found themselves having opposing political views but the couple stayed together for twenty-five years until Longworth’s death. Meanwhile, Alice continued to be active in politics and she relished the Washington social life.  She claimed that she had known personally every president, both Republican and Democratic, from the late 1890s to 1980.  At the age of 96, Alice died in 1980 from emphysema and pneumonia; she is buried at Rock Creek Cemetery in Washington D.C.

The weddings of the daughters of President Wilson

During his two terms in office President Woodrow Wilson (the 28th President) has the distinction of hosting two weddings of his children, daughters Jessie and Eleanor.  The oldest sister, Margaret, choose to remain single for the rest of her life and in 1940 she moved to India where she became a Hindu nun, she died there in 1944.

November 25, 1913 – Jessie Wilson to Francis Sayre

Jessie Wilson married Francis Sayre in the East Room of the White House on November 25, 1913.  Instead of having a large and very public wedding like Alice Roosevelt did seven years earlier, the couple decided to have a small but still grand ceremony.  Jessie was the second daughter of President Wilson and Ellen Axson Wilson and Francis was a recent graduate of Harvard Law School.

In preparation for the wedding ceremony, a platform was set-up in the far end of the East Room in front of the window which was draped with curtains.  An altar was set in the center of the platform, covered with cloth and decorated with lilies, several palm trees, ferns an floral arrangements were also used as decorations.

The East Room wedding decorations for Jessie Wilson and Francis Sayre

For the wedding reception a New York bakery made a 185 pound wedding cake, it was two large layers and covered with white frosting and decorated with piping.  For display at the reception a large cut-glass vase with flowers was placed on top and the table was decorated with greenery.

The wedding cake for Jessica Wilson and Francis Sayre

Jessica Wilson Sayre

After returning from their honeymoon in Europe, the couple settled in Williamstown, Massachusetts where Francis worked at Williams College as an assistant to the president of school.  Francis and Jessica went onto have three children; Francis Jr., Eleanor and Woodrow.

After World War I, the Sayre family moved to Cambridge, Massachusetts where Francis became a professor at the Harvard Law School, later he served as a Foreign Affairs Adviser and High Commissioner of the Philippines.  Jessie became a political activist involved in social issues and women’s right to vote, she was also active in the League of Nations and the Democratic Party.  Jessie died in 1933 age the age of 45; she is buried in Nisky Hill Cemetery in Bethlehem, Pennsylvania.  Francis died in 1972 and he is buried at the Washington National Cathedral.  (Special Note: After President Woodrow Wilson’s death in 1924, he was interred in a sarcophagus in the Washington National Cathedral.  He is the only president whose final resting place is within Washington D.C.)

May 7, 1914 – Eleanor Wilson and William McAdoo

Eleanor Wilson married William McAdoo in the Blue Room of the White House less than a year after her sister.  Eleanor was twenty-three years old and the youngest daughter of President Wilson and William was the fifty-six year old Secretary of Treasury in the Wilson administration.  William was a widower with children and the couple had begun a romance which was kept a secret from President Wilson until their engagement was announced.  Special Note:  Since President Wilson’s wife, Ellen was in declining health the wedding of Eleanor and William was a much more subdued ceremony and reception than her sister’s wedding a few months earlier.

  

Eleanor Wilson McAdoo

After returning home from their honeymoon, Eleanor and McAdoo remained in Washington D.C. where McAdoo continued to work as the Secretary of Treasury in the Wilson administration.  The couple had two daughters, Ellen and Mary, but sadly the marriage proved to be an unhappy one and Eleanor divorced McAdoo in 1934.  Eventually, Eleanor had moved to Montecito, California and in 1965 she suffered a cerebral hemorrhage.  In April 1967 she died at her home and she is buried at the Santa Barbara Cemetery, at the time of her death she was the last surviving child of President Wilson.

Special Note:  When First Lady Ellen Axson Wilson died in August 1914, it was the third time that a wife of a sitting President had died during their term in the White House.  (Letitia Tyler died in 1842 and Caroline Harrison died in 1892)  President Wilson was devastated by the death of his wife but only a few short months later he met Edith Bolling Galt and quickly fell in love with her and proposed.  Although he was advised by his political associates to wait to remarry until after the upcoming election the couple decided to proceed with their plans to wed.  So, in December 1915 President Wilson married Edith at her home in Washington, D.C.  Then, in October 1919, President Wilson suffered a severe stroke and for all intent and purposes Edith assumed and performed many of the presidential functions.

December 9, 1967 – Lynda Johnson and Charles Robb

Lynda Johnson married Charles Robb on December 9, 1967 in a private ceremony in the East Room of the White House. Lynda was the eldest daughter of President Lyndon Johnson (the 36th President) and his wife Claudia Taylor Johnson (known as “Lady Bird”) and Charles Robb was a U.S. Marine Corps Captain and was set to leave on a tour of duty in Vietnam.

Since the wedding was held during the holiday season, the East Room was decorated with Christmas trees while evergreen boughs were draped across mantels and down staircase banisters.  Lynda wore a white silk wedding gown made by Geoffrey Beene which featured long-sleeves, a high neck and a train that gathered at the middle of her back.  To complete her wedding ensemble, Lynda wore a long white veil and carried a small bouquet of white flowers.  The seven bridesmaids wore red velvet long-sleeved dress and matching velvet bows in their hair.

Lynda Johnson Robb

Lynda Johnson and Charles Robb

After the brief ceremony the couple, the bridal party and family moved into the Yellow Room to take photographs while their 650 guests were served cocktails in another room in the White House.  In the meantime the East Room was reset for the wedding reception with a splendid buffet and a band was brought in for entertainment.

Lynda Johnson and Charles Robb cutting their wedding cake

After returning from Vietnam, Robb became a lawyer.  The couple had three daughters; Lucinda, Catherine and Jennifer.  Robb was later elected as Lieutenant Governor of Virginia in 1977, served as Governor of Virginia from 1982 to 1986 and then he was a U.S. Senator for two terms from 1989 until 2001.  Robb and Lynda currently live in McLean, VA and Lynda supports the children’s literacy programs

Special Note: Technically, the wedding of President Johnson’s other daughter does not count as a White House wedding because the ceremony did not take place there.  Since she had converted to Catholicism, the wedding of Luci Johnson and Patrick Nugent took place on August 6, 1966 at Shrine of Immaculate Conception Catholic Church in Washington, D.C. although their wedding reception was held in the East Room of the White House.  Luci was the youngest daughter of President Johnson and Lady Bird and despite the controversy of the ongoing Vietnam War there was great interest in the wedding.  So, it was decided that it would be the first wedding of a child of a president to be broadcast on television and it was watched by 55 million viewers.  Luci and Patrick were married for over ten years and had four children; Patrick, Nicole, Rebekah and Claudia.  Later the couple divorced and the marriage was annulled in August 1979, Luci married Ian Turpin in 1984.

Luci Johnson and Patrick Nugent
cutting their eight-foot tall wedding cake in the East Room of the White House

June 12, 1971 – Tricia Nixon and Edward Cox

The wedding of Tricia Nixon and Edward Cox took place on June 12, 1971 in the Rose Garden of the White House.  Tricia (Patricia) Nixon was twenty-five years old and the eldest daughter of President Richard Nixon (the 37th President) and Thelma Ryan Nixon (given the nickname “Pat” by her Irish-American father when she was a child).  Edward was a Princeton graduate and had known Tricia since the 1960s.

Mrs. Nixon had suggested that the ceremony should take place in the White House Rose Garden since it would be in full bloom in the summer.  This was a risky choice given that the weather in Washington D.C. often forecast rainstorms at that time of year so a contingency plan was set to move the ceremony into the East Room.  But despite earlier rain showers on the day of the wedding the skies briefly cleared and the sun came out! The Rose Garden looked absolutely lovely that day with additional rose plants added in preparation for the wedding .  The ceremony took place under a lovely gazebo at the end of an aisle decorated with even more roses.  Special Note:  Twenty-five years later family and friends gathered at the Nixon Library in Yorba Linda where Tricia and Edward Cox renewed their wedding vows under the same gazebo used at their White House Rose Garden wedding.

On display at the wedding reception was the massive three hundred and fifty pound wedding cake created by the White House pastry chef Heinz Bender.

Tricia Nixon and Edward Cox cutting their wedding cake

It has been said that perhaps Tricia was one of the most beautiful of all the White House brides; she was petite with golden hair and blue eyes.  The famous bridal fashion designer Priscilla of Boston made Tricia’s wedding dress; she had also designed the bridesmaids dress for Grace Kelly’s wedding to the Prince of Monaco and the wedding dresses for Luci Johnson and Julie Nixon.  Tricia’s silk organdy gown with a v-neckline and cap sleeves was accented with Alenson lace roses and pearl.  When First Lady Pat Nixon first saw the gown she was shocked at the low neckline but the bride insisted that it was what she wanted!  (Compared to today’s often strapless versions chosen by the modern brides, Tricia Nixon’s wedding dress in contrast seems to have been a very classic and elegant design)

Tricia Nixon Cox on the cover of the June 18, 1971 issue of Life Magazine

After returning from their honeymoon, Tricia and Edward lived in New York, they had one son named Christopher.  Edward is a corporate attorney and also headed the New York Republican State Committee, Tricia is involved with several medical research institutions and she also sits on the board of the Richard Nixon Foundation.

Special Note:  President Nixon’s younger daughter, Julie, was married after his election in November 1968 but before his inauguration in January 1969, for this reason it is not considered an official White House wedding.  When Nixon had been the Vice President to President Eisenhower and the two families spent time together.  It is possible that Mamie Eisenhower, the wife of President Eisenhower, encouraged the romance between Julie and David, the Eisenhower’s grandson.  Julie and David were married on December 22, 1968 at the Marble Collegiate Church in New York City.  The couple had three children; Jennie, Alexander and Melanie.  Today, Julie and David live in Berwyn, Pennsylvania and Julie sits on the board of the Richard Nixon Foundation.

For more information, please check out Part One of the two part series on White House Weddings which discusses the weddings that took place from 1820 to 1886 starting with Maria Monroe, John Adams II, Elizabeth Tyler, Nellie Grant and President Grover Cleveland, the only President to be married in the White House.