Toasting Glasses – ideas and suggestions

Customarily special toasting glasses are selected for the bride and groom to use for the traditional champagne toast which is done during a wedding reception.  In this post I will offer ideas and suggestions for selecting toasting glasses and I will discuss the numerous types and styles that are available depending on the wedding theme and/or colors.  (For detailed information about the various shapes of champagne glasses and the history of champagne and the Custom of the Wedding Toast, please click on the link) 

Champagne is usually served in a champagne flute with the intent to preserve the carbonation and maximizing nucleation (basically the bubbles).  There is an often repeated legend that the shape of the classic coupe style of champagne glasses was either modelled on the breast of either Madame de Pompadour, she was the mistress of King Louis XV of France who had a fondness for champagne, or perhaps Marie Antoinette who was the wife of King Louis XVI and the last Queen of France before the French Revolution.  

Champagne should always be served cold and an ice bucket is perfect to chill a bottle to the right temperature.  Ice buckets come in several of sizes to accommodate a single bottle or multiple bottles and they can also be found in variety of styles ranging from glass to silver to even copper. 

Shown below are several examples of just a few styles that are available:  

a simple and inexpensive stainless steel ice bucket

a classic silver ice bucket

a plain glass ice bucket

a cut glass ice bucket

a hammered copper ice bucket which would be perfect for a fall wedding

a silver seashell ice bucket which would be great for a beach wedding!

a large silver ice bucket for chilling multiple champagne bottles

ice mold with lemons (any fruit can be used) from Crate and Barrel

Many couples getting married will select special champagne glasses for the wedding toast to use at the reception.  A great idea is that after the wedding the toasting glasses can be placed in a shadow box with other wedding items (such as the wedding invitation, bridal garter, etc) for a sentimental decorative display for the newlywed’s home.  The special glasses can also be used every year for an anniversary toast or maybe even in celebration of the couple’s first child!

Shown below are examples of the different shapes of toasting glasses:

the classic coupe champagne glass

two styles of flute champagne glasses –  regular and stemless

trumpet glass

tulip glass

Shown below are several examples of a few different styles of toasting glasses that are available to fit any wedding colors and theme (click on any photo to enlarge):

vintage cut glass coupe glass

silver flute glasses

gold stem flute glasses

silver beaded flute glasses

painted flowers flute glasses

cut glass trumpet glasses

engraved trumpet glasses

acrylic flowers trumpet glasses

blue stem (right) trumpet glasses

teardrop glasses for the bridal couple engraved and available from the Knot.com

The Custom of the Wedding Toast

In this post I will start by giving a brief history and origin of wedding toast custom, the unusual meaning of the term toast and the general etiquette guidelines to making a proper toast. production process of the sparkling wine known as champagne.  Champagne became the celebratory drink of choice for special occasions, such as weddings.  Then, finally to end this post I will give several suggestions for incorporating champagne into a wedding reception, such as a champagne glass tower or a champagne fountain. 

The Wedding Toast

The origin of a toast can be traced back to the Ancient Greeks who would honor their Gods through a symbolic drink.  Ancient Romans gave great importance to drinking to a person’s health and in fact the Roman Senate passed a decree that at every meal a symbolic drink should be taken to honor the Emperor Augustus. 

The origin of the term toast can be found in the 16th century, at the time most wines were of inferior quality and by placing a piece of stale bread (toast) into the wine barrel it was meant to soak up the acidity thereby improving the flavor of the wine.  Eventually, the custom of the toast became associated with a way of honoring a person by giving them the wine soaked bread.  Gradually the actual toast/bread was eliminated but the custom of honoring a person remained. 

At the wedding reception the champagne toast formally congratulates the bridal couple on their marriage and can sometimes include emotional or humorous anecdotes specifically about the bride and groom.  At a formal wedding, toasts are given immediately following the meal and before the bridal couple’s first dance.  It can also be done either before or after the cutting of the wedding cake.  For an informal wedding, toasts can be made at any time; some suggestions include giving the toast before or after the meal is served.      

If multiple people are giving toasts the suggested order would be: the father of the bride (if her parents are hosting the reception), the best man, the maid/matron of honor and finally the bridal couple could toasts their families and invited guests.  Another option that could be added on the night before the wedding is the father of the groom (since his parents generally host the rehearsal dinner) toasts the couple and welcomes their families.  Special Note: It is best to coordinate with the people giving the toasts prior to the wedding day and hopefully they will prepare a short toast. 

Usually for a wedding toast an alcoholic drink is served, such as champagne or wine, but is not required and sometimes a sparkling fruit juice can be served instead.  Toasting with an empty glass is considered unacceptable (and could also bring bad luck to the bridal couple) and if none of the beverage suggestions mentioned above sound appetizing to your palate or you may have dietary issues drinking water would be a good choice.  

Etiquette Guidelines for Wedding Toasts

  1. The person giving the toast should stand while the bride and groom should remain seated.  After the toast the bridal couple should stand and acknowledge the person giving the toast and many give a kiss or hug.
  2. After the toast is given guests should take a sip of the champagne (or other beverage) and if multiple toasts are given be sure to save some to drink after the other toasts. 
  3. It is considered impolite to put down a glass before the toast is completed or to not drink to the bridal couple after the toast is given.
  4. After the wedding day, a nice gesture would be to send those individuals giving the wedding toast a personal thank you note.

History of Champagne

It seems that throughout the past centuries several wedding customs have come to involve food and drink, such as champagne.  Although still wines have been produced in France since the 5th century, records indicate in the 16th century Benedictine monks created the process of sparkling wine by bottling the wine before the initial fermentation had been completed.  A century later Christopher Merret, an English scientist and physician, created a process in which yeast and sugar were added to the wine during the initial fermentation thereby creating a second fermentation process.    

This new process created carbonation that would build pressure within the bottles and caused the corks to pop or the bottles to explode.  Ultimately two things would happen; first a new type of bottle would be developed with thicker walls to withstand the pressure created by the carbonation.  Second, a muselet (a wire cage that fits over the cork at the top of the bottle) was invented to prevent the corks from blowing out.  Ultimately this new process became known as the methode champenoise and by definition the label of champagne was originally only given to French sparkling wines grown from grapes in the Champagne region produced by these specific methods.

Champagne became popular with the European Royal Courts during the 17th and 18th centuries and because of the exorbitant cost and limited quantity available it was seen as a status symbol.  Later in the late 19th century champagne production increased with better techniques and was eventually marketed to the middle class.  Champagne has now become the beverage of choice to mark special celebrations; such as weddings, births, housewarming, retirement and or even the classic New Year’s Eve toast at midnight!   

Ideas and suggestions for incorporating champagne into a wedding reception

Opening the Champagne Bottle –

Opening a champagne bottle could add that celebratory “pop” at the wedding reception.  A champagne bottle is usually opened by removing the muselet (a wire cage that fits over the cork at the top of the bottle).  Always check with the wine steward at the hotel or venue where the reception is being held for the proper procedures.  Special Note: Caution should be taken when opening a champagne bottle and safety is very important so extra precautions should be taken.  Champagne needs to be chilled properly before serving and if the bottle is not cold enough it is possible that the cork will be released too quickly which could be very dangerous!

Presenting and Displaying Champagne –

There are several different ways to present and display champagne before serving for the wedding toast.  The first idea is a classic and very elegant way to serve champagne and involves the hotel or venue wait staff carry the champagne poured into glasses and served individually to guests from a silver tray.

A beautiful extra touch would be to serve the champagne with a special garnish, strawberries for champagne and orange slices for a champagne mimosa

To add an extra special style to an “at home wedding”
consider renting a champagne fountain
(notice the beautiful floral arrangement placed at the top)

A wedding custom that was once very popular and which has recently made a comeback at wedding receptions is the champagne tower.  Check with the hotel or venue to see if they can accommodate this very unique way of serving champagne. 

A more elaborate way to present champagne bottles at a wedding reception is an ice sculpture, the first photo shown below is simple and the second photo shows an ice sculpture with roses that would make a beautiful display.

Wedding Flowers – Prince William and Catherine Middleton

This post will feature the wedding ceremony flowers for the April 29, 2011 wedding of Prince William and Catherine Middleton which took place at Westminster Abbey in London, England.  Per the request of the Royal Couple there were a few stipulations regarding their wedding flowers.  First, the bride requested that the flowers used in her bridal bouquet would be chosen for their special meanings according to old English tradition of the “language of the flowers”.  Second, the flowers selected would also need to be traditional English flowers that would be in season at the time of the wedding.  Third, the flowers and plants needed to be grown in England and possibly from one of the Royal estates.  Fourth, the large trees used to decorate in the interior of the Abbey on the wedding day would be able to be replanted.

Catherine Middleton’s bridal bouquet

Catherine Middleton personal floral request for her bridal bouquet would incorporate the “language of the flowers” which was an old custom popular during the Victorian era.  At that time, flowers and plants would be selected for their special meanings to convey hidden messages.

Catherine’s small all white bridal bouquet was designed by florist Shane Connolly and was in sharp contrast to Prince William’s mother, Princess Diana, extremely large bouquet for her wedding to Prince Charles in 1981.  Catherine’s bouquet featured lily of the valley (happiness), Sweet William (gallantry and also as a tribute to her new husband), hyacinth (constancy of love), ivy (fidelity) and myrtle (love and marriage).

Comparison of Kate and Diana’s bridal bouquets

Catherine Middleton’s wedding bouquet recreated for the Kensington Palace exhibit

Legend has it that clippings from the myrtle in Queen Victoria’s bridal bouquet have been used by every royal bride since her wedding to Prince Albert in 1840 (see the special note below).  The tradition of the myrtle first started when the Princess Royal Victoria, the eldest child of Queen Victoria and Prince Albert, used the myrtle in her bouquet when she married Prince Frederick of Prussia in 1858.  The tradition continued thereafter for the weddings of Queen Victoria and Price Albert’s other four daughters.  In the years that followed other royal brides also used myrtle in their wedding bouquets, such as Princess Alexandra when she married Prince Albert Edward (later King Edward II), Princess Mary of Teck when she married Prince George (later King George V), Lady Elizabeth Bowes-Lyon when she married Prince Albert George (later King George VI) and Princess Elizabeth (later Queen Elizabeth II) when she married Prince Phillip.  Special Note: Contrary to popular belief, the myrtle planted during Queen Victoria’s time which still grows in the garden at Osborne House did not come from her bridal bouquet but from a nosegay presented by Prince Albert’s grandmother during a visit to Prince Albert’s homeland of Germany several years later after their wedding.

The gardens of Osborne House
where the myrtle for British Royal bridal bouquets is grown

Another British Royal bridal tradition started with the wedding Prince Albert George and Lady Elizabeth in 1923.  In the moments before proceeding down the aisle at Westminster Abbey there was a slight delay.  In those few minutes, to honor her brother Fergus who had died a few years earlier in World War I, Lady Elizabeth spontaneously laid her bridal bouquet on the Tomb of the Unknown Soldier.  Special Note: Since that time, Royal brides that are married at the Abbey have also laid their bouquets on the Tomb of the Unknown Soldier with the one exception that instead of it being placed prior to the start of the ceremony, the bouquet is laid on the sacred spot afterwards.  This is a lovely tradition most recently done by Catherine Middleton at her wedding to Prince William.

Catherine Middleton’s bouquet on the Tomb of the Unknown Soldier

Wedding floral arrangements and trees used at Westminster Abbey

Once again Catherine worked with her floral designer to create meaningful large arrangements made entirely of English flowers.  The flowers selected for the white, cream and green arrangements included azaleas (temperance), rhododendrons (beware), beech (prosperity), wisteria (good luck) and lilac (purity and innocence). Two large ornamental hornbeams trees (resilience) were used around the choir area of the Abbey.  The flowers and supplies were delivered in the days before the wedding to be finished on site and then placed in several locations within the historic church.

Wedding flowers and supplies being delivered to the Abbey

Seen in this photo is one of the large floral arrangements
placed at the entrance to the Abbey

This photo shows several floral arrangements placed in the Abbey’s altar area

Catherine also selected eight 20 foot high English field maple trees (humility) to use in the Abbey to create the atmosphere of a lovely English country garden; the fifteen year old trees weighted half a ton each.  Special Note: The English Field Maple is native to Britain and in medieval times the wood was often used to make loving cups (a shared drinking container traditionally used at weddings).

The trees had been planted into special pots designed by the florist and delivered to the Abbey prior to the wedding.  It took a large crew to unload the trees with a forklift and then, with some difficulty and tricky maneuvering due to the height of the Great West Door, the trees were finally moved into position in the designated places within the Abbey.

   

The large English field maple trees being moved into position in the Abbey

Prince William and Catherine Middleton seen in the recessional
from the Abbey walking through the aisle lined with the trees

As previously mentioned, one of Catherine’s stipulations in selecting the trees to be used to decorate the interior of the Abbey was that the trees would be able to be replanted in an environment-friendly manner.  So, after the wedding the trees were removed from Westminster Abbey and taken to Prince Charles’ Highgrove Estate in Tetbury in Gloucestershire, England and planted in the garden as a lasting memorial to the occasion of the marriage of Prince William and Catherine Middleton.

The English field maple trees replanted at Highgrove

A Royal Wedding Cake – Prince William & Catherine Middleton

It has been said that a wedding cake is the centerpiece of a wedding reception and a Royal wedding is no exception to this rule.  In this post I will highlight the spectacular wedding cake of Prince William and Catherine Middleton’s April 29, 2011 wedding. 

After the official engagement was announced and in the weeks leading up to the wedding date, ideas for the wedding cake were discussed with the British baker, Fiona Cairns, who had been commissioned to make a tradition fruitcake.  The cake would be covered in cream and white icing decorated with approximately 900 flowers made of sugar-paste.  The design featured a tall multi-tiered cake inspired by the high ceilings of the site of the wedding reception which would be in the Picture Gallery at Buckingham Palace. 

The Picture Gallery at Buckingham Palace

Fiona Cairns began the process of making the wedding cake five weeks before the wedding date by starting with the sugar-paste flowers.  Catherine had requested 17 different types of flowers and foliage which were chosen for their special meanings in the British tradition of the language of flowers.  The national symbols of England (rose), Ireland (shamrock), Scotland (thistle) and Wales (daffodil) were chosen.  Sweet William was chosen for the groom and the acorn & oak leaves, which had been used on the Middleton’s new coat of arms, were also selected.  Other elements included tradition bridal flowers such as lily of the valley for humility, orange blossom for eternal love, daisy for innocence, myrtle for love and ivy for marriage.  Additional floral used were honeysuckle, white heather, lavender, jasmine and apple blossom.

Some of the final touches to the wedding cake were inspired by the architectural details of the Picture Gallery and were reproduced in the sugar paste garlands used on the fourth tier.  Other elements included a monogram on the third tier featuring the intertwined initials of the bride and the groom with a coronet.  The top tier had a delicate lily of the valley sugar paste arrangement made by the Buckingham Palace pastry chef, Kathryn Boyden, and her staff.   

Days before the wedding date, Cairns and her staff moved the various components of the wedding cake to the Picture Gallery at Buckingham Palace.  The layers were positioned on a square table covered with a pale gold tablecloth set on a raised platform.  Then, the team put the finishing touches on the cake and the finished product met with the Prince and Catherine’s approval.     

Barry Colenso, a master chocolatier, worked with the McVitte Cake Company to create a special cake requested by the groom.  The actual recipe came from Buckingham Palace and it was based on a classic Tiffin cake which was Prince William’s favorite as a child.  Extra decorations were added in the form of white chocolate flowers, each was created by hand and took over 6 hours to make.  

TV Wedding – Outlander

In this post about the ongoing series about TV weddings, I will discuss the epic wedding of Jamie and Claire Fraser in the popular Starz television series.  I will include a description of Claire’s stunning wedding dress and Jamie’s tartan kilt as well as the sentimental wedding ring and the Scottish pearl necklace that Jamie gave to Claire.  (I know I’m about six years too late for this trend but I have recently enjoyed binge watching all the episodes from the past seasons!)  

Special Note: The Outlander wedding is the perfect inspiration for a destination wedding to Scotland or for a bridal couple that want to incorporate their Scottish heritage into the wedding.

The Outlander Series

The Outlander series on the Starz cable television network premiered in August 2014.  The series is based on the historical fantasy novels by Diana Gabaldon.  The first book was published in 1991 and to date eight of the planned ten books in the series have been published.

The first season of Outlander centers on the main character Claire Beauchamp Randall (played by Caitriona Balfe) who is a former World War II nurse married to Frank Randall (played by Tobias Menzies).  The couple is staying in Inverness Scotland and through extraordinary circumstances at Craigh Na Dun, the standing stones, Claire time travels to the 18th century where she meets Jamie Fraser (played by Sam Heughan) who is a handsome Highlander. 

As she is transported from 1945 to 1743, a bewildered Claire arrives in the Highlands and she is taken into Castle Leoch by the fictional Clan MacKenzie.  The Highlanders are suspicious of this mysterious women but Claire is able to gain their trust by using her medical training helping the people living in the area.  Meanwhile Jamie and Claire have an unfortunate encounter with the evil Captain “Black Jack” Randall (played by Tobias Menzies in a dual role) and viewers will learn this character is a distant relative of Frank. 

Although there is an attraction growing between Jaime and Claire, in an unusual twist of fate, he is forced into marrying her for protection from Captain Jack.  Surprisingly Claire enters into the marriage despite the fact that back in 1945 she seems happily married to Frank; as the series progresses the viewers are able to see how he is coping with the sudden disappearance of his wife.    

The Wedding of Jamie and Claire Frazer

The wedding of Jamie and Claire takes place in season one episode seven which first aired in September 2014.  After the decision is made that Jamie will marry Claire for her protection, the arrangements for the wedding are hastily made.  Jaime had three conditions if the marriage was to proceed; one was that the ceremony needed to be performed by a priest in the local church.  The second condition is that Claire should receive a special ring that Jamie commissioned from the local blacksmith.  The third condition is that Claire is to be married properly and he sends someone out to find a very special dress. 

The small church is beautifully lit with candles creating a very romantic setting for the wedding ceremony and the couple exchanges their vows before the priest and a small congregation.  Jamie places the specially made ring onto Claire’s right hand, in the book Claire is still wearing Frank’s ring on her left hand but this is changed in the television series.  According to ancient custom of handfasting, the wrists of Jamie and Claire are slashed to bleed tied together with a white cloth. 

Special Note: all the photos shown in this post are from the Outlander series on Starz

Claire’s Wedding Dress

As Claire approaches the church where the wedding ceremony is to take place, she is wearing a long cape and then just before entering she removes it to reveal a stunning wedding dress.  The dress is rather grand in style and might look out of place with all the men and women wearing tartan and homespun dresses.  Jamie had send someone to procure a special dress for Claire to wear on her wedding day and the viewers find out that it was previously given to a woman of questionable character as payment of services rendered (if you get my meaning!).

The beautiful wedding dress created by Terry Dresbach and the Outlander costume department took over 3,000 hours to complete and there are so many gorgeous details.  The style is reminiscent of a robe de cour and the full skirted dress is made of silver metallic linen with sheer silk smocked sleeves and features an off the shoulder neckline, a boned bodice with a laced back. 

The silk stomacher and underskirt are made with mica shavings sewn between two layers of fabric and embellished with silver plate metal hand embroidered on netting with a lovely design of acorn branches and falling leaves.

Special care was also taken by the Outlander costume department to create the underpinnings which were shown in scenes of Claire and Jamie’s wedding night.  The items were a simple sheer silk shift, a beautiful laced front strapless stay beautifully embroidered in a floral motif, there is also a laced back, and finally a petticoat with a lovely quilted band at the bottom.       

Special Note:  There has been some controversy voiced by the fans as to whether Claire’s wedding dress was historically accurate.  The opulent style of the wedding dress seems a little out of place given the Scottish Highland location and would be more appropriate befitting a royal palace or a grand ball room.  The other issue most frequently commented on by the fans is the low cut neckline which some people think is a little immodest and almost inappropriate to wear in a church setting.  My understanding is that there originally was a piece of fabric covering some of the neckline but it was ruined during the reshoots required for filming the episode and was not replaced.  Once again, this dress with the extremely low neckline is more in the style of an 18th century European court dress. 

Jamie’s Fraser kilt

Although Jaime is living with the fictional Clan MacKenzie, for his wedding day Jaime is wearing a Fraser kilt to honor his heritage.  A Scottish tartan was meant to represent a clan and was originally made with alternating colored wool threads woven into a distinctive vertically and horizontal pattern of squares and lines.   Historically tartans in the 18th century were woven in more muted colors from natural dyes made with plants or minerals while in modern day Scotland the tartans are more brightly colored.   

The main tartan pattern in Outlander is made of brown and blue-grey but there are several variations used throughout the series.  The fictional Fraser tartan incorporated thin yellow and red threads into the design and this type of tartan pattern was worn by Jaime on his wedding day.  There is an additional tartan pattern with light blue threads woven into the design that is worn by the fictional Mackenzie clan at Castle Leoch.     

  

Special Note:  Another sentimental item which is worn by Jaime on his wedding day is his mother’s brooch which he wears on his left shoulder. Not only does the brooch serve a function to hold the tartan in place but it also represents the clan to which a person belongs.   

The Wedding Ring

One of the conditions Jaime made before his marriage to Claire was that she would receive a special ring that Jamie commissioned from the local blacksmith.  In a very sentimental gesture Jamie had the ring created from a key to his home of Lallybroch, the key is not melted down but forged with “the blade in the bow”.

Special Note:  In a very poignant scene at the end of episode seven in season one, Claire dramatically realizes the fact that she had left behind her husband Frank in the 20th century.  Just before entering the church to marry Jamie she had removed her wedding ring from Frank and places it in the bodice of her dress.  The morning after the wedding to Jamie she finds the ring as it drops out of her wedding dress and it rolls across the floor almost falling through the boards.  Perhaps realizing what she has lost in her previous life, she places the ring back on her left hand while wearing the ring from Jamie on her right hand.  She looks at her two hands in despair trying to come to terms with the fact that she has two husbands living in different centuries and as a tribute Frank she will continues to wear both rings.   

But, there is a sad footnote to Claire’s wedding ring and later in the series it is stolen from her by a sadistic pirate (for some reason he does not take the gold wedding ring from Frank).  Claire is truly distraught about losing Jamie’s ring and many years later when they are living in America Jamie has one of his mother’s candlesticks melted down to make a replacement ring for her.  Eventually under very dramatic circumstances the original ring given to Claire on her wedding day is ultimately returned to her.      

The Pearl Necklace

In the beginning scenes of episode seven in season one of Outlander; Claire says, “Things you cherish and hold dear are like pearls on a string.  Cut the knot and they scatter across the floor … never to be found again.  So you move on … or at least you try”.

On their wedding night, Jamie gives Claire a gift of his mother’s Scotch pearls.  Jamie tells the story that his mother, Ellen MacKenzie, received the necklace on the occasion of her wedding to Brian Fraser.  With this sweet and sentimental gesture Claire comes to realize that Jamie is truly a gentle person and her feelings of love for him start to grow stronger.   

Scotch pearls are found in freshwater mussels in the rivers of Scotland.  Historically this type of irregularly shaped pearls were admired for their luster and collected by royalty, in fact the Crown Jewels of Scotland seen on display at Edinburgh Castle are set with Scotch pearls.

Special Note:  Later in the series when Claire returns to the 20th century, Frank is deeply jealous of her life in the past and destroys everything associated with Jamie and her time in the 18th century.  Because of this situation Claire has given the Scotch pearl necklace to Mrs. Graham for safekeeping, Mrs. Graham is a trusted friend who believes her story of time travel.  Later in the series the necklace will eventually be returned to Claire by Mrs. Graham’s granddaughter.  In turn, the Scotch pearl necklace will be given to Claire and Jamie’s daughter on her wedding day.

So, in closing this post, I hope you enjoyed some of the details from the wedding of Jamie and Claire Fraser from the Outlander series. Please check back for a future post about another Outlander wedding of their daughter, Brianna to Roger MacKenzie Wakefield.

A British Royal Wedding – Prince Albert and Princess Alexandra

I mentioned that I would be writing posts on this blog regarding the various weddings of the members of European royalty.  The first post  was about the British Royal wedding of Queen Victoria and Prince Albert, click on the link for more information.  This month I would like to feature the wedding of her son and the heir apparent to the English throne, Prince Albert and Princess Alexandra of Denmark.

Wedding of Prince Albert and Princess Alexandra
Date and location: March 10, 1863 at St. George Chapel, Windsor Castle

Many years prior to the wedding, Queen Victoria had started the search for a proper bride to calm her mischievous and troublesome son, Prince Albert Edward the Prince of Wales and heir to the British throne. With the aid of her daughter, Crown Princess Victoria of Prussia, they focused their search for a suitable European princess and eventually settled on Alexandra of Denmark.  Princess Alexandra was the eldest daughter of Prince Christian (soon to be King of Denmark in 1863) and Princess Louise of Hesse-Kassel.  She was a very timid and humble girl who had led a relatively normal life in Copenhagen, Denmark.

Albert and Alexandra first met in September 1861, but unfortunately Albert was only mildly interested.  At the time, he had been training with the Grenadier Guard in Ireland and he had become romantically involved with an Irish actress, he later went onto finish his studies at Cambridge University.  When the very scandalous news regarding the actress reached Queen Victoria and Prince Albert his father eventually confronted him about his improper behavior.  Soon after taking a long walk in the rain along the streets of Cambridge to privately discuss the situation, his father became gravely ill and died a short time later from what was thought to be typhoid fever.  For this reason Queen Victoria in her profound state of grief mistakenly placed the blame on her son for causing the death of her beloved husband. (Historical Note: Much later it was proven that Prince Albert, the Prince Consort, he had been suffering from chronic long term stomach problems, possibly abdominal cancer, for years)

After a brief period of mourning, the Queen’s son, Prince Albert finally proposed to Princess Alexandra in September 1862.  She gladly accepted and, after negotiating a marriage contract, the wedding date was set for March 1863.

Prince Albert and Princess Alexandra at the time of their engagement

At the end of February 1863, Princess Alexandra departed from Copenhagen, Denmark to travel to England.  There was a grand procession witnessed by thousands of people lining the streets of Copenhagen to see Princess Alexandra and her family departure, the railway station was festively decorated with flags from both Denmark and England. In a bittersweet farewell, the Princess boarded the train to travel across Denmark to the seaport of Korsor.  After a spectacular fireworks display the Princess boarded a boat named the Schleswig which would take her across the Baltic Sea to Kiel, Germany.

Princess Alexandra and her family leaving Copenhagen

Princess Alexandra’s trip to England took several days to complete with several stops in major cities across Denmark, Germany and France for various celebrations along the route before crossing the North Sea to England.  Once arriving at Gravesend, England located at the mouth of the River Thames, the Princess was finally met by Prince Albert.  As the Princess moved onto the pier, sixty young girls from Kent greeted her wearing the red and white colors of Denmark and tossed flower petals at her feet.

Princess Alexandra arrival at Gravesend on March 7, 1863
painting by Henry Nelson O’Neil

From Gravesend, the Prince joined the Princess and her family; they took several carriages for the ride into London.  Throughout the streets of London large crowds had gathered despite the inclement weather to see the procession, the people carried flags and gave a resounding cheer as the carriages passed by.  Then the Prince, Princess and the other members of the Royal group boarded the train destined for Windsor Castle which would be the site of the wedding ceremony.

Princess Alexandra procession through the streets of London

Princess Alexandra arrival at Windsor Castle

The wedding of Prince Albert and Princess Alexandra took place on March 10, 1863 at St. George Chapel located at Windsor Castle.  When the Queen took her place in the Catherine of Aragon balcony high above the floor of the Chapel to view the ceremony the people solemnly bowed to pay their respect.  Among those gathered for the wedding ceremony were members of the English and Danish Royal family as well as other European royalty.  Also assembled were several former Prime Ministers of England; including Palmerston, Gladstone and Disraeli and other members of Parliament.  Other illustrious English notables were in attendance and included the famous authors Dickens, Tennyson and Kingsley.

Interior of St George’s Chapel

Prince Albert arrived just before the start of the ceremony and he was dressed in his Garter robes, he had become a Knight of the Order of the Garter in December 1841 and received the title of Prince of Wales the same year.  The Prince was accompanied by his brother-in-law, Crown Prince Frederick of Prussia, who was serving as his best man.

When Princess Alexandra entered the Chapel with her eight bridesmaids, the people duly noted the remarkable beauty of the 18 year old bride.  The Princess wore an elaborate ivory silk taffeta wedding gown which featured a separate bodice top and a full skirt that had an overlay of Honiton lace and the skirt featured a 21 foot train of silver moiré, the dress was trimmed with orange blossoms.  The Princess wore a white Honiton lace veil that was secured on her head by a wreath of orange blossoms and myrtle.  To complete her bridal ensemble, Princess Alexandra wore the pearl and diamond necklace and matching earrings and brooch that she received as a gift from her husband and an opal and diamond bracelet which was a gift from Queen Victoria.  The bouquet that she carried on her wedding day was made of white rosebuds, lilies of the valley, rare orchids and the traditional sprig of myrtle.  (For more information on A British Royal Bride – Princess Alexandra, please click on the link)

Prince Albert and Princess Alexandra

At one point in the wedding ceremony the famous opera singer Jenny Lind performed a solemn piece of music written by the Prince Consort, the late husband of Queen Victoria, that had been specifically chosen for the occasion and the Queen was seen withdrawing from view in her secluded box and was heard to be quietly weeping.  (Historical Note: Sadly, St George Chapel was where the funeral service for Prince Albert, the Prince Consort, took place a little over a year before the wedding and no doubt the Queen was remembering the loss of her beloved husband)

Queen Victoria sits in the Catherine of Aragon balcony at the St. George’s Chapel
in which she viewed the wedding of Prince Albert and Princess Alexandra

With the conclusion of the wedding ceremony, the bridal party and their five hundred invited guests returned to Windsor Castle for a grand wedding reception.  Like Queen Victoria did in 1840, several wedding cakes were made for the reception with the main wedding cake described as follows: “it was a three-tiered cake with white icing, at the base were rose, thistle and shamrock festoons intertwined with the British and Denmark coat of arms.  On the tiers were reflectors and figures of cupids with harps and near the top of the cake were two sating flags painted with the images of the Prince and Princess.  At the very top were a Prince coronet with three ostrich feathers”, the symbol of the Prince of Wales.  The wedding cake, which stood almost five feet in height was prepared by Mr. Bolland of Cheste.

The wedding cake of Prince Albert and Princess Alexandra

After the wedding reception, the bridal couple changed into their traveling clothes and left Windsor Castle for Osborne House on the Isle of Wight where they would spend several days on their honeymoon.

The Prince and Princess of Wales went onto to have five children, two boys and three girls.  They were Prince Albert Victor born in 1864, Prince George born in 1865, Princess Louise born in 1867, Princess Victoria born in 1868 and Princess Maud in 1869.  The Royal couple had a home in London, Marlborough House, and a country home in Norfolk, Sandringham.  In 1901, Queen Victoria died and the Prince ascended to the British throne as King Edward VII with Queen Alexandra as the Queen Consort.

The Prince and Princess of Wales with their children

Movie Weddings – “It Happened One Night”

 

In this post I will discuss the classic 1934 Columbia movie, “It Happened One Night”, the film’s plot is based on a 1933 short story called “Night Bus” by Samuel Hopkins Adams.   Frank Capra directed and co-produced the movie which is considered one of the first films to be known as a screwball comedy and it starred Claudette Colbert in the role of Ellie Andrews who is a spoiled heiress and Clark Gable in the role of Peter Warne who is a recently fired newspaper report. 

Special Note: Interestingly, Colbert and Gable were not the first choice to play the roles and due to certain circumstances both actors reluctantly took on the parts in the film.  Colbert because she had made a previous unsuccessful movie with Capra for Columbia and she did not want to make another film with the director so to persuade her to take the role the studio agreed to pay her double her normal salary if she completed filming the movie within four weeks.  Gable was “loaned” to Columbia Studios as a “punishment” because he had refused to make another movie at his contracted studio, Metro-Goldwyn-Mayer.  In a strange twist of fate, both Colbert and Gable would go on to win many accolades for their roles in “It Happened One Night” and the film became a very popular classic Hollywood movie.   

It Happened One Night plot

The movie starts with Ellie being held captive on a yacht by her wealthy father, she has eloped with King Westley who he strongly disapproves of because he thinks that Westley is after his daughter’s inheritance and he wants the marriage annulled.   Ellie jumps from the yacht moored off the Florida coast and plans to runs away to New York City during the night on a Greyhound bus to reunite with Westley.  While on the bus Ellie meets Warne who recognizes her as the runaway heiress.  Ellie reluctantly agrees to give the charismatic newspaper reporter her exclusive story if he helps her get to New York.

Along the way, Ellie and Warne spend the night at a roadside motel.  Low on money and not being able to afford two rooms the pair claims to be a married couple in order to share one room which proves to be a very awkward situation.  In the classic scene in the motel room, Warne hangs a rope between the two twin beds and drapes a blanket across the room to allow Ellie some privacy; he humorously refers to the blanket as the “walls of Jericho”. 

Special Note:  At the time of filming the movie industry was about to begin enforcing the strict 1930 Motion Picture Production Code, more commonly known as the “Hays Code”.  This code severely limited moral and social conduct as portrayed in films and It Happened One Night was considered a “pre-code” production and the rules were not enforced.  As a result, the scene in the motel was allowed and when Clark Gable’s character undresses in front of Claudette Colbert’s character to reveal that he is not wearing an undershirt and his chest is bare caused quite a scandal.  In fact it caused a trend in men’s fashion of not wearing an undershirt and sales dramatically dropped.   

Later, when the bus breaks down, Ellie and Warne decide not to wait and they begin to hitchhike instead.  The scene shows Warne trying his best to flag down a car but he is unsuccessful and Ellie asks to give it a try.  As she raises her skirt to reveal her shapely legs and car quickly stops and they continue their trip to New York!

Sometime during their trip Ellie realizes she has fallen in love with Warne and professes her feelings one night through the blanket wall.  When she wakes in the morning Warne is gone and Ellie thinks that he has abandoned her (in fact he has rushed onto New York to get an advanced payment from his editor so that he can marry her!).  Disappointed, she calls her father to rescue her and feeling betrayed by Warne she decides to remarry Westley in a second wedding ceremony.

On the wedding day, feeling absoultely miserable, Ellie confesses to her father that she loves Warne but is settling on Westley.  When Warne arrives at the house to meet with the father he is there not to collect the reward money but he insists he only wants to be repaid for his expenses.  The father is impressed that Warne was not looking to profit from his helping Ellie and Warne finally admits that he really loves Ellie.  The father is impressed by Warne’s honesty and as he walks Ellie down the aisle he tells her she is marrying the wrong man and that she should marry Warne instead!  So, Ellie ditches Westley at the altar and becomes a “runaway bride”.

In one of the final scenes of the movie, Warne has contacted the father to find out what is taking so long with Ellie getting her annulment from Westley.  Finally, as the movie ends, Ellie and Warne are finally married and as they start their honeymoon a toy trumpet is played and the “wall of Jericho” (the blanket wall) falls down!!

The film went on to make cinematic history when it became the first movie to win all top five Academy Awards for 1934: Outstanding Production (Best Picture) for Columbia Studios, Best Director for Frank Capra, Best Actor for Clark Gable, Best Actress for Claudette Colbert and Best Screenplay for Robert Riskin.

The dashing Clark Gable accepting his Academy Award for Best Actor

Claudette Colbert accepting her Academy Award for Best Actress
from child star Shirley Temple

It Happened One Night costumes (Ellie’s wedding dress)

Before I start with the costumes for Ellie (Claudette Colbert)costumes, let’s talk about the costumes for Warne (Clark Gable).  The costumes for It Happened One Night were designed by Robert Kalloch who worked for both Columbia Pictures and Metro-Goldwyn-Mayer Studios.  Gable was already know as a best-dressed actor and for the bus scene in the film he wore a trench coat, Norfolk jacket with a v-neck sweater worn over a button-down shirt.  At the end of the film Gable wears a black wool gabardine suit which is perfectly tailored to fit his dashing style on screen.  (Please see the Special Note above regarding Gable’s clothing selection (or lack of) for the motel scene and how it impacted the men’s undershirt sales)

Although Claudette Corbert’s character only wears four different costumes for the film designer Robert Kalloch also did a wonderful job.  At the start of the film we see Ellie trapped on the yacht wearing a beautiful nightgown, as she boards the night bus to New York she is wearing a traveling outfit which features a skirt and a striped sweater worn over a shirt with a round collar and then for the motel scene we see Ellie borrowing a set of Warne’s pajamas that are delightfully oversized.  For the Ellie’s glamourous bridal dress for her almost wedding to Westley she is wearing a beautifully bias-cut silk chameusse with flutter sleeves and flowers placed along the scoop neckline, she is also wearing a lovely tulle bridal train.    

The Legend of Cupid


Cupid in a Tree painting by Jean-Jacque-François le Barbier

In honor of the romantic holiday of Valentine’s Day celebrated on the February 14th, this post will be about the legend and the history of Cupid.  I will also give some unique ideas and suggestions to incorporate Cupid into a wedding ceremony and reception.

The legend originated centuries ago as the story of an ancient Greek god named Eros who was portrayed as a winged and slender young man.  In the ancient Roman mythology he was a god named Cupid (from the Latin word cupido) and he was the son of Mars (the god war) and Venus (the goddess of love).  Cupid had the appearance of a chubby little boy and his source of power was his bow and arrow.  When Cupid shot his arrow at an unsuspecting person they would suddenly be overcome with feelings of immense love and desire. 

As legend has it, cupid carries a quiver of arrows filled with two kinds of arrows.  The first is an arrow with a golden tip and a person struck with this kind of arrow is filled with desire and love.  The second arrow has a lead tip and a person struck by this kind of arrow feels not quiet hatred but a strong desire … to flee!

Cupid has been depicted by master painters in many great works of art throughout the past centuries; perhaps one of the most famous is the La Primavera painting by the Italian Renaissance artist Botticelli.  The painting is also known as the Allegory of Spring and depicts a blindfolded Cupid shooting his arrows above the central figure of Venus.   There as several mythical interpretations of the painting which shows Zephyrus to the right who is chasing Flora while on the left the three Graces dance with Mercury.

La Primavera (Allegory of Spring) by Botticelli

Another artistic interpretation of cupid was the Sleeping Cupid sculpture created in 1496 by the Renaissance artist Michelangelo.  At the time he was a relatively unknown artist and with this sculpture he receive commissions from patrons in Rome, ultimately this lead to perhaps his most famous and important work of art when he painted the ceiling of the Sistine Chapel which took approximately four years (1508-1512) to complete for Pope Julius II.

Sleeping Cupid sculpture by Michelangelo

In regards to the Sleeping Cupid sculpture, the piece eventually ended up in the Palace of Whitehall in London, England but unfortunately the sculpture was lost in a fire in 1698.  (Special Historical Note: Due to the efforts of King William III the Banqueting House, which was part of the Palace of Whitehall, was saved and still stands today)

When Valentine’s Day became a popular holiday in England during the 18th century, given the legend of Cupid and his association with love, his imagery was used as a common theme for Victorian greeting cards.  With the help of the Industrial Revolution and the new printing press technology, the introduction of relatively inexpensive postage stamps and then the Hallmark Greeting Card Company starting to mass produce Valentine’s Day cards in 1916 the holiday became very popular in the United States.  (For more information on the custom of Valentine’s Day greeting cards and in particular Victorian Valentines, please click on the link)   

A Victorian Valentine’s Day greeting card

Cupid and cupid’s arrow ideas and suggestions for bridal showers and weddings

In this next section I will show several different ideas and suggestions for incorporating cupid and hearts into a bridal shower and wedding decorations, I have also included some gift ideas for the bride, groom and the bridal party.

The image of cupid can found on numerous types of paper products, cupid bridal shower invitations would be especially charming.  For a more subtle style, sealing wax stamps used on the back of the wedding invitations would look wonderful idea as shown in the photo below.

cupid sealing wax stamp – Amazon.com

Cherub candlesticks/candleabras would be a great idea to be used at a bridal shower or a wedding, these could get a little expensive to purchase but you might be able to find the item at a good price at an antique store or on the internet website like EBay. The example shown below could be used on a buffet table at the bridal shower, the ceremony or wedding sites or on the bridal party table or the cake table at the reception. 

antique cupid candelabras

An idea that would coordinate beautifully with the candelabras would be place cards that resemble cupid’s arrow; this would be an easy and relatively inexpensive craft to replicate for a bridal shower or a wedding reception.   

a cupid’s arrow place card idea – Coco & Blush

In keeping with the cupid arrow theme, below is a photo of a unique escort card display using a target with arrows showing the guest name and their table number. 

target and arrow idea for escort cards

Chair decorations at wedding reception have become very popular over the last few years and the two examples shown below are specifically for the chairs of the bride and groom and both ideas feature cupid’s arrows.

shown above are two ideas for chair decorations for the bridal couple

The next ideas are for food items, which include cake and cupcake examples that could be used for either a bridal shower or wedding reception. 

a lovely cupid wedding cake idea

a wedding cake idea from the Knot.com

idea for a cupid’s arrow cake topper (would coordinate nicely with the chair decorations)

cupcakes with cupid’s arrows that could be served at a bridal shower or wedding reception

Shown below are two ideas for the younger members of the bridal party, the first is a cute idea for a flower girl to wear cupid’s wings and the second is a lovey example of a cupid ring pillow.

flower girl wearing cupid wings

cupid ring pillow – Amazon.com

Famous 1920s Brides

In this post I will be taking a look back a hundred years ago to discuss four famous brides of the 1920s ranging from a Hollywood film star to a literary muse that married a famous American author to an American beauty that married an English aristocrat and lastly an American heiress who later abandoned her family to live in Europe. 

But before I start let’s briefly discuss what prompted the dramatic changes to women fashion styles during that decade.  It was just after World War I had ended and women were undergoing many changes as they moved out of their domestic roles to become factory workers, sales clerks in department stores and secretaries in various corporate businesses.  This sense of financial freedom and independence during this time resulted in many new fashion trends as the modest and restrictive clothing of the Victorian and Edwardian Era was evolving into more revealing and looser fitting clothing of the 1920s.

Starting with the undergarments, women in the 1900s wore uncomfortable tight corsets, bulky knickers, thick wool stockings and several layers of petticoats underneath their long dresses.  By the end of the 1920s women wore less undergarments made of lighter satin or silk and these brassiere, panties and slips were worn underneath dresses that had much shorter hemlines that reached scandalously to a lady’s mid-calf! 

Ready-made fashions became more affordable to the middle class working women and for the first time they were able to purchase the latest stylish dresses and accessories.  The 1920s became associated with the “flapper girl” that wore her hair short in a bob cut to the chin and she wore tailored dresses of tweed during the day and for the evening she wore beaded dresses made of silk and satin. 

To illustrate these fashion changes a perfect example is the costumes of the Downton Abbey television series.  As the Crawley sisters moved from 1912 pre-World War England as the series began to 1926 in the middle of the Roaring Twenties when the series ended their clothing reflects these new fashion trends.  If you are interested in more detailed information regarding the Downton Abbey Fashions, please click on the links to my other blog theenchantedmanor.com and Part One features a general discussion on the costumes worn during the six seasons of the series and Part Two details the wedding fashions of the Crawley sisters and a few of the other supporting characters.

Mary Pickford

Mary Pickford (April 8, 1892 – May 29, 1979) was a Canadian-born American actress; her birth name was Gladys Louise Smith.  As a young woman she began her film career in silent movies playing numerous ingénue roles and she became known as “America’s Sweetheart”.  She was the co-founder of the United Artists film studio in 1919 with D.W. Griffith, Charlie Chaplin and Douglas Fairbanks.  Later she became one of the first members of the Academy Motion Picture Arts and Sciences when it was founded in 1927.

Mary Pickford – “the girl in curls”

Mary Pickford signing the United Artists Studios contract
(she is seated with Douglas Fairbanks on the far left)


Pickford was married three times, her first husband was Irish-born film actor Owen Moore who she married in 1911 and her third husband was band leader Buddy Rogers who she married in 1937 and they adopted a boy and a girl. 

Perhaps her most famous marriage was to her second husband the swashbuckling hero actor Douglas Fairbanks.  The couple first met in 1917 in New York while they were both married to other people and within a year their friendship soon turned into a romantic affair, Pickford and Fairbanks eventually divorced their respective spouses. 

On March 28, 1920 Pickford and Fairbanks were married secretly at the home a local Nevada Baptist pastor; the bride wore a dress of white tulle over white satin and trimmed with green flowers at the waist.  The couple later had a delayed wedding reception at their new home in Beverly Hills.  The house became known as “Pickfair” (a combination of their last names) and was purchased by Fairbanks as a wedding present for Pickford; it had 22 rooms and boasted the first in-ground swimming pool in the area!   

Newspaper article announcing the wedding of Mary Pickford and Douglas Fairbanks

Mary Pickford and Douglas Fairbanks on their honey in Europe

Mary Pickford and Douglas Fairbanks at their home – Pickfair

Sadly, as the silent movie careers of Pickford and Fairbanks began to fade with the new “talkie” films, the marriage came to an end and the couple divorced in 1936.    

Zelda Sayre

Zelda Sayre (July 24, 1900 – March 10, 1948) was born in Montgomery, Alabama.  Zelda met F. Scott Fitzgerald in 1918 at a country club event when he was in the army and stationed at the nearby Camp Sheridan.  Fitzgerald became enamored with the vivacious and fun-loving Zelda and would visit her often during his time there and then exchanging letters when to be stationed at Camp Mills near Long Island, NY.  He shared with her his dreams of becoming a great author and even included a character that very much resembled Zelda in the first book that he was writing, “This Side of Paradise”.  In another one of his novels, “The Great Gatsby”, Fitzgerald fictionalized his feelings of his first meeting with Zelda in describing when the character of Jay Gatsby meets Daisy Buchanan but changing the place of their meeting instead to a train.

Zelda Sayre and F. Scott Fitzgerald

When Fitzgerald was discharged from the military in 1919 he moved to New York City to establish himself as a writer.  In an unusual proposal, Fitzgerald sent Zelda his mother’s ring in a letter and they were officially engaged.  By early 1920 Fitzgerald had completed his first novel and it was soon published, shortly thereafter Zelda arrived in New York for the wedding.  The couple was married on April 3, 1920 in a very small ceremony at St. Patrick’s Cathedral; they spent their honeymoon at the Biltmore in New York City.      

Newspaper article announcing the wedding of Zelda Sayre and F. Scott Fitzgerald

Fitzgerald and Zelda had one daughter, Frances Scott “Scottie”, who was born on October 26, 1921 in St. Paul, Minnesota; the couple had briefly moved to Fitzgerald’s former hometown so that Zelda could give birth to their baby girl there.

The couple returned to New York City in the midst of the “Roaring Twenties” which was the decade after World War I when there was economic prosperity and social values were less restrictive while cultural changes came about as new nightclubs opened within the cities.  It was also the “Jazz Age” which is a term that has been credited to Fitzgerald who had written about this decadent time in his 1922 “Tales of the Jazz Age” book.  Zelda had become Fitzgerald’s literary muse and was the iconic “flapper ”, a definition given to women of the 1920s that wore short skirts, bobbed hair, listened to jazz music and flaunted their unacceptable behavior by wearing excessive make-up, drinking alcohol and smoking cigarettes and flouting their inappropriate sex lives.

F. Scott and Zelda Fitzgerald

The couple later spent part of their time living on the French Riviera and socializing with friends such as Pablo Picasso and Ernest Hemingway.  Unfortunately, despite the fact that they were parents of a young child, the couple’s lifestyle was very turbulent with excessive drinking, numerous infidelities and almost constant quarreling.  Zelda was perhaps the more noticeably affected with her outlandish careless behavior resulting in a diagnosis as a schizophrenic and she spent time in the many different hospitals and sanatoriums in Europe and America.  Sadly, after years of living their hedonistic lives, the couple had separated and Fitzgerald was living with his mistress in Hollywood at the time of his death in 1940, cause of death was listed as a heart attack.  Zelda, never fully recovering after the loss of her husband, died several years later in 1948 in a horrible fire while she was a patient at a hospital in Asheville, NC.         

F. Scott and Zelda with their daughter, “Scottie”

Catherine Wendell

Catherine Wendell (November 29, 1900 – April, 8 1977) was an American beauty who was born in New Hampshire into an upper middle class family and she later moved to England in 1911 with her widowed mother and siblings after the death of her father; her birth name was Anne Catherine Wendell.  Catherine was destined for unhappiness and she married three times, her second husband was Geoffrey Grenfell who she married in 1938 and her third husband was Stuart Mommand who she married in 1950.

Catherine Wendell

Catherine is perhaps best known through her marriage to her first husband Henry Herbert (Lord Porchester “Porchey”), their wedding took place on July 17, 1922 in St. Margaret’s Church in Westminster, England.  The couple were only married a short time when Porchey’s father died while in Egypt in 1923, his father had been there because he was funding the famous archeologist Howard Carter who had recently discovered the tomb of Tutankhamun. 

Lord Porchester “Porchey” and Catherine Wendell on their wedding day

After his father’s death, Porchey became the 6th Earl of Carnarvon and Catherine became Lady Carnarvon and they lived at Highclere Castle (best-known as the filming site of the popular television series “Downton Abbey”).  The couple went on to have two children, Henry born in 1924 and Anne Penelope born in 1925.

Lady Carnarvon with her two children,
Henry and Anne Penelope

Initially, for a short time, the marriage appeared to be fine and the couple had a busy social life with the aristocratic and royal set, entertaining frequently at Highclere and going to horse races and attending other events in London. Unfortunately, Catherine was very unhappy since Porchey proved to be unfaithful, had numerous affairs and at times he was very abusive.  This situation left Catherine very shaken and she began to drink heavily, she was not completely the victim in this marriage and she also had affairs.  Finally, after thirteen years of mental and physical anguish, the couple divorced in 1936. 

Cornelia Vanderbilt

Cornelia Vanderbilt (August 22, 1900 – February 7, 1976) was an American heiress and the only child of George Vanderbilt II and Edith Stuyvesant Dresser; she was named for her paternal great-grandfather Cornelius Vanderbilt.  Her father died in 1914 and at the young age of fourteen years old she inherited the Biltmore Estate in Asheville, NC, the 250 room mansion is considered the largest privately owned home in the United States.  She received an annual sum of $2,000,000 when she turned 21 years old and then the full inheritance of $50,000,000 at the age of 25 years old.   

Cornelia and her mother Edith had spent time in Washington D.C. after the death of her father.  It was there that she met the British aristocrat, John Cecil, who was then the secretary to the British Embassy.  At the time Cecil was named one of the most eligible British bachelors and he had been raised in Norfolk and he attended Oxford College where he studied history and international law before becoming a member of the British diplomatic corps.  In anticipation of their upcoming wedding, Cecil resigned his post and planned to work full time managing the Biltmore Estate.    

Cornelia Vanderbilt and John Cecil

Cornelia and Cecil were married on April 29, 1924 in a lavish ceremony held at the All Souls Cathedral in the Biltmore Village followed by a grand reception at the Biltmore Estate. 

Cornelia on her wedding day standing near the Grand Staircase inside the Biltmore
photo from the Biltmore Estate website

Cornelia’s beautiful wedding dress was made of white satin and featured a long straight column silhouette with long sleeves; her satin shoes were trimmed with orange blossoms.  Her bridal veil of tulle and lace was four yards long and she carried a bridal bouquet which featured orchids and lilies of the valley and was made locally by a florist in Asheville.   

Cornelia and John Cecil at the All Soul’s Church in the Biltmore Village in Asheville, NC
photo from the Biltmore Estate website

Cornelia and her bridesmaids and flower girls in possession into the church
(Cornelia’s mother, Edith, is seen walking her down the aisle)
photo from the Biltmore Estate website

Cornelia and John Cecil with their large wedding party
in the Tapestry Room at the Biltmore
photo from the Biltmore Estate website

The wedding reception of Cornelia and John Cecil
which took place in the Garden Room inside the Biltmore
photo from the Biltmore Estate website

The couple lived at the Biltmore and continued the traditions of entertaining on a grand scale while managing the Estate property and farming operations.  Cornelia and Cecil had two sons, George born in 1925 and William born in 1928.  But after several years Cornelia became bored with her life at the Biltmore and in 1932 she moved to Greenwich Village in New York City to study art to live a bohemian lifestyle and eventually she moved to Paris and then England, she never returned to North Carolina.  Cornelia and Cecil divorced in 1934; Cecil remained living and managing the Biltmore Estate although during World War II he was briefly stationed in England before returning to North Carolina after the war.

Cornelia (now assuming the name of Mary) went onto marry twice more, her second husband was Captain Bulkeley- Johnson and they were married in 1949 (he died in 1968) then she married her third husband William Goodsir in 1972.  Cornelia died in Oxford, England on February 7, 1976 at age of 75 years old.

Also, for information regarding another famous 1920s bride, please click on the links to the Wedding of Prince Albert and Lady Elizabeth (the future King George VI and Queen Elizabeth, the Queen Mother) and also A British Bride – Lady Elizabeth Bowes-Lyon.

For additional information about 1920s brides depicted in television and movies, please click on the links to Downton Abbey Weddings and It Happened One Night.

   

A Blue Wedding – ideas and suggestions

This will be the third post in the ongoing series about the annual Pantone color of the year.   Every year the Pantone Color Institute selects a color that will set the trends for home decorations, fashion and also weddings for that year.  The Pantone Color for 2020 is called Classic Blue and it is beautiful deep blue shade; the color evokes feelings of serenity, calmness and tranquility.    

The Pantone Classic Blue color would be a great wedding color to use particularly for a beach/summer wedding, the color would pair beautifully with either silver or gold accents. Using the color as inspiration, in this post I will discuss several ideas and suggestions for creating blue wedding decorations for the ceremony and reception as well as bridal accessories including beautiful bridal bouquets and other blue items that could be incorporated in the wedding design.     

Ceremony decorations

The classic blue color would be lovely for most indoor or outdoor wedding ceremony; the color would look very regal in a grand ballroom or would contrast beautifully for a garden ceremony or would also look wonderful for a beach wedding.  

The photo below shows a floral arch for an outdoor tent wedding, notice that the flowers used include not only the classic blue color of the hydrangeas but also lighter and darker shades of other blue flowers.  Although this arch was used for an outdoor ceremony, it could also be used for an indoor ceremony but the height of the ceiling and any other venue restrictions need to be taken into consideration.   

Shown below is a photo for a blue chiffon chair sash to be used at a wedding ceremony.   This style of chair sash would look great on the end chairs of each row for a beautiful aisle decoration but if the wedding budget will allow the chair sashes could really make a bold color statement if used on each chair at the ceremony. 

Below are shown two ideas for aisle decorations, the first would use a classic white aisle runner that would look lovely with blue rose petals scattered along the edges.  The second idea would use a bold classic blue aisle runner and this choice would make a sharp contrast to the bride’s white wedding dress definitely making her the focus as she walked down the aisle. 

Reception decorations

Classic blue decorations would look beautiful for a wedding reception in a grand ballroom but would also look great for an outdoor garden reception during the day or under a tent at a beach reception.  Shown below are two different styles of floral centerpieces, the first shows a simple low arrangement of blue and white flowers.  The second style is a tall floral centerpiece using an arrangement of blue and white flowers with a glass vase. 
Special Note: When selecting options for a wedding day and making decisions regarding weather conditions, keep in mind that if the reception is taking place on the beach the wind could topple high floral arrangements so low centerpieces would probably be a better choice to avoid any unpleasant accidents.  

If the wedding budget will allow, consider upgrading to a style of tablecloth that would add a textural element to the guest tables.  Shown below are two examples of classic blue tablecloths, the first is a pintuck style and the second is a beautiful rosette style. 
Special note:  If the wedding budget is limited the plain satin tablecloths for the guest tables would look great but maybe you can consider selecting one of these other styles for the cake table only to showcase the wedding cake.   

Shown below are relatively inexpense butterflies that can be purchased in bulk to used for wedding reception decorations for guest tables at each place setting either resting on crisp white napkins or dangling from tall floral centerpieces with clear fishing line to give the appearance that they are fluttering in the air above the table.  This same idea of the butterflies suspended from above would also look very enchanting from a ball room chandelier or over a reception dance floor. 

The next classic blue wedding items pertain to food items, the first features a white tiered wedding cake with blue fondant roses.  

The classic blue butterflies mentioned previously could also be used instead of the blue roses and placed on each tier of the white wedding cake.  Another idea instead of the blue roses would be a cake topper of ceramic blue birds, such as the one shown below.

Bridal accessories and other wedding items

A subtle way to add a touch of “something blue” would a pair of beautiful classic blue strap pumps peeking out from under the brides white wedding dress, these shoes are by Badgley Mischka.

To compliment the blue pumps shown above, the perfect bridal accessory would be a lovely set of diamond, pearl and sapphire earrings.

Another bridal accessory to add a “something blue” would be a set of bridal garters, one to keep and one to toss to the single ladies, the ones shown below are from Weddbook.

Blue flowers can also be used for a bride’s bouquet and shown below is a loose tied bouquet that features shades of blue and white flowers. 

Shown below are two several ideas for classic blue items for the flower girl and the ring bearer.

Delftware is a specific style of blue and white pottery that was first made in the early 17th century in Holland and would coordinate beautifully with a classic blue theme wedding.  For more information about the history of Delftware and also some great ideas and suggestions for incorporating this style into a wedding, click on the link.